Well, the whole afternoon's mental journey is sauce purple.
In the first episode, the heroine's IQ is online, thinking that in the next few episodes, I will see the heroine tearing up the scumbag, and I am inexplicably a little excited.
The second episode, ah, the heroine is silly and sweet, and the hero dares to admit that he is not a scumbag! Sure enough, it's still crap. Look again.
In the third episode, the heroine is great, he is so scumbag, regardless of the New Year's Eve? !
The fourth episode, after reconciliation, hehe. Yes, at this moment I want to quit the show.
Episode 5, um, huh, huh, huh.
Regarding the IQ of the heroine in the process of catching the rape, I appreciate it. Three times five and two, the derailment time, the derailment object, and the situation of the children are all mastered. But then the heroine was really too young, too simple, and sometimes naive.
To tell the truth, the scumbag is not responsible, and has no talent (a company runs a lot of debts, all accounts are emptied, and who is the prodigal ability to give up), for love? Sorry, I've always held a narrow view that love was his excuse to seek forgiveness from the moment he decided to be in a long-term relationship with another woman. But the hostess paid for it. She is willing to believe in the love of the scumbag, and even determined to restore the old relationship.
What kind of person is the heroine? It's not a likable object, but she lives hard, and is much better than those women who don't work hard and don't see other people's goodness and secretly make bad things. What about her character? I think she is arrogant, egoistic, and lonely. If the whole show is about her real life, she has few friends of her own. Ros kept thinking about her, and sold it at the critical moment; Anna finally admitted frankly that getting along with the heroine has not been pleasant. friend? joke. Living in this place without friends, the reason why she can live a normal life is probably because there are still her beloved family members here. her husband, her son.
She lost one of the only two pillars. In a trance, she lost a decent job, discovered the scumbag's deficit, and lost even those superficial friends. Yes, in the whole process, the fragility, trance and collapse of the heroine did not make me feel firm for a second. Until the last episode, crazy dinners, crazy arguments, crazy fights, she made up her mind. At this time, I felt that the heroine completely lost. What she cared about, her dignity, her reputation, was really lost at that moment.
The mistress gave the mistress a punch, which was ridiculous, the mistress didn't even have a chance to really hurt mistress. But that was the home court of Xiaosan, and standing there were her parents. After the truth is revealed, they will still choose to hug her.
There are so many characters in the play who have lost their lovers. Mary, Jack, Gemma.
Gemma's naivety lies in the fact that she wins or loses in divorce; when everyone loses, she compares favorably. Ending a relationship and being able to continue to live an active life is a win in my opinion; we can't empathize with those who have experienced a loss, but we can do it without underestimating the pain of others. Mary represents someone who faces life positively, and Jack has undoubtedly achieved a positive transformation. Gemma doesn't seem to be free, but I hope she has a better life.
PS: The scumbag man gets it and kills it! Using love as an excuse, there was no remorse from beginning to end. And he hit! Female! people! When you're in a hurry, you won't hit yourself! Scumbag go to die! I have heard too many stories recently, all of which were driven by the mistress who drove away the first-class wife, can you give me some positive energy!
PPS: The psychological shadow of the heroine's son is a bit big. The last episode completely exposed the husband and wife's problems to the child, violence, cheating, and the madness of the mother. Is this really good? A friend around me recently faced the same problem, but the girl never said a bad word to the man in front of the child. Although the husband and wife have had many disputes due to derailment and divorce, the image of the father in the child's heart has not been damaged in any way.
PPPS: Life is hard. But we always have to cope with it.
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