The Wachowskis' favorite multi-line narrative is also their favorite story of binary opposition, the struggle between darkness and light.
I feel that Lana has more traces in this play.
Advantages: From the perspective of transgender people, I try to gather an overall narrative that spans countries, ethnicities, and genders, and pays more attention to the real situations of people of various ethnicities and countries. This part of the narrative is not particularly stupid.
It may be the mainstream narrative that most expresses the transgender community on the American TV network.
title. weakness:
1 part of science fiction. Weak support, worried that the final logical construction between "sympathizers" (I decided to call them) and antagonists (whisperers) will become silly. In the loose dementia situation of Lost.
2 Understand that the characters can finally be developed in a longer length, but the editing speed is too slow, too slow, too slow. Too much space is devoted to the surprising reactions of "sympathetic people" traveling through each other's lives. It can be a clip that feels like a female hand, a nostalgia for tactile and perceptual performance. But if you just focus on performance, it's not enough to support the show. The construction of the hard skeleton in the sci-fi part is not enough, and it feels like only cartilage is grafted.
Really should refer to the settings of another drama "House of Cards" created by Netfix. Although the two are completely opposite themes.
3 Some of the dramatic bridge parts are too silly. I'll probably still be watching season two.
2015 in Philadelphia
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