found this animation when he was learning about the Kowloon Walled City. At the beginning of the period, I just liked the style of painting, in order to see the architecture.
The film begins with
"The fire is really wonderful
and quiet...
the hidden destructive power
is just like a human being.
When you go in and see it, you will know what's inside.
Sometimes you will know the truth when it is burned."
For some reason, I suddenly remembered Fudan Casting Lin Senhao in the drug case.
Some people are always curious about things that are more than peaceful, and always want to poke, smell, and see what they are. Who knows that they have fallen into a high concentration of smog when they walk in. I wanted to leave, but it was already backlashed, and it was too late.
After seeing this paragraph and the style of painting, I can generally understand what kind of personality the protagonist is.
Riman's usual character design, two helpless and only each other's children, desperate, but in order to protect each other can stimulate unlimited potential. One had already fallen into hell and lived in despair, thinking about death every night, but always looking up for the faint sunshine, one was supported by another child who stepped on hell, tenaciously and unknowingly living in hell. edge.
They live in a place similar to the Kowloon Walled City. Many people without roots come together to form a party that can take root in the land.
Then some monsters from the lair wanted the land to fill a greedy stomach that was about to explode. Youkai find aliens who claim to be gods. They are arrogantly and cruelly destroying this land and the ray of hope that depends on this land for a living.
They can call themselves gods, because apart from gods, who has the qualifications to snatch the land that others depend on for survival, and who would ruthlessly trample on and destroy the homes that this tiny human took a long time to build.
Sometimes things are so helpless, if you want to defeat the darkness, you have to become even darker. This is the value conveyed by many Japanese comics. Reality is sometimes the same. So, one of the protagonists turned black. And the other kid pulled it back as usual. After that, they lived a happy life together.
The whole movie is amazing, the previous plot is great, and the blackening part is a bit cumbersome, but it's not boring.
When I watch it, I will think of "The Diary of a Bad Boy", "God of War", "Jiangnan 1970" and many other Japanese comics like this.
From Here You Can See Everything.
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