When it comes to the appearance, the scenes in the brain are also filmed into reality. As in the end, when he was sluggish in the bathtub alone, he patted his wife pushing the door in and watched him stroke Electra's pregnant belly. It was his and/or his wife's mind that he and she were supposed to build the family. In fact, she does exist in their actual life.
Very slowly, his movements and narrations are like the world is full of viscous liquid, every action and thought is stuck like a cobweb, sunk in his thoughts and emotions like a liquid, trapped in a cobweb Same.
The soundtrack is handled consistently, speeding up and slowing down regularly, creating an unreal, involved swirl, and fitting.
In short, I feel the intensity of his love and pain, and he has formed his own world. (Meaning, it has nothing to do with the audience.)
In my understanding, some turning points in life are represented by specific scenes. For example, the scene next to the mailbox downstairs is used to represent the encounter between three people, the few minutes away from the exhibition to represent the ambiguity between her and the man with glasses, and the party several times to represent the encounter and ambiguity with others; and so on.
But watching the movie with others, another view is that the desire escalates step by step, which means that these short scenes in the movie are real, which means that they really did it in such a short time and in such a public way. These things.
It means it's still an old theme, and he can't balance the relationship between love and sex. Looks like I'm still not serious enough. Get rid of the previous thinking about love and sex. Means I have entered into a cold slightly.
Some people say that sex, sex is also a kind of love. is this real?
In "Paradise" (sex club), the two lights flashed and changed rapidly, as if the two scenes and people were changing rapidly, which confuses people with the illusion of "interspersed with two stories".
After a few long shots, the black screen flashes, especially the gesture-dependent hug in the bathtub. When the screen is black, there is a blood-red afterimage of the hug in the audience's eyes. This afterimage creates a kind of "this hug is deeply embedded in the mind". Feel.
Then he said: "I will love you till the end." Then, the big "The End" hit the whole screen, and it felt like being played maliciously by the director.
Movie ratings are not only for the protection of children, but also for the sake of the audience. Before that time, it cannot receive what it wants to say or how it feels; it cannot understand itself from it.
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