1. The event triggered at the beginning A:
The details of the dumping of chemicals are the same and the director has a consensus: the film should preferably have no descriptive text. If you need to increase the suspense, you must resort to emotional performances. Subsequent events A1 and A2 differed from the director's, and the original work seemed to have a stronger sense of scene and be more restrained.
2 The main characters’ confession paragraphs:
Comparing their messy handling, I found that the original work first established the central character and explained all those who have a significant impact on the story. There are also various ways: the aunt on the TV, the one mentioned in the dialogue. uncle. At the beginning, the scene of looking for change identifies the character's drowsiness, which is slightly absurd. It initially establishes the tone of the film, and the level of brilliance can only be found in literary films and pure literary works. The characters are all in the continuous scene. The portrayal is quite remarkable, the protagonist does not need to say more, for example, my aunt, in my version, just simply lost and missed the gold medal, but the director has portrayed the main character of the "chronic" character, Even the wandering brothers who only stayed in the camera for a few seconds achieved a clear character distinction.
3 Inciting event:
The absurd scene began to break out the monster attack event. In my opinion, this is not a refreshing paragraph expected by fans of pure genre films. The way of traveling, highlighting the function of the tail and mouth b The useless father who fights side by side with the heroic protagonist of the traditional genre film opens up the anti-genre temperament of the film c Invented a lens language to express suspense (catching the wrong child) and then used it again once again. What I did was to make the waste dad pass out unexpectedly, thinking that it was in line with the character setting, so the movie still has to let the characters perform as much as possible to guide the development of the story, not to mention it is a character-based film.
4 Questions to consider after the first plot point:
What are the hostile forces of a major crisis? Like the director, he chose the combination of government + monsters. The main characters of this type of film must be isolated and helpless to be wanted. That's the best thing. Try to add suspense, conflict, and obstacles to the scene as much as possible to describe the texture of the scene to give the story enough. Good-looking business temperament. The logic is simple, but the film shines in the genre with its dark humour, plus anti-genre details. The inspiration and genius after the first plot point is reflected in the process of overcoming obstacles along the way to find the little princess. Important things cannot be learned, and wonderful things can only be fascinated by incomprehensible things.
5 The second plot point:
Grandpa flutters on the street. The director of this scene has played black humor and anti-type to the extreme, and expresses monsters and feelings in a deeper way. To its revenge and intelligence. In the end, the second plot point led to the temporary disintegration of the rescue team. For the climax not far away, it was necessary to touch the bottom of the story curve.
6 climax:
I can't think of it, I feel that I don't have enough time to focus on character endorsements, background clues, and important images. Accidental inspiration, with enough thinking in the reference scene, it is impossible to write a very enjoyable climax that is reasonable and enjoyable.
In addition to the above basic narrative logic, in fact, the whole story also presents an irregular simple multi-line development model, which can To enrich the narrative angle will not appear so monotonous and suffocating, and the line of the little princess can also satisfy the tastes of genre fans. In short, the narrative is simple and popular, and the characters are details.
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