In fact, every story is very flavorful, especially the adversary scene between actor Adrian and Moran, which is obviously more relaxed and more dramatic, making the audience unable to stop, hoping to have a decent ending ahead; old LN seems to want to Highlighting the personality of Feel Nothing is indeed calm, even when he ran downstairs and stopped Olivia, he couldn't burst out, his face was always full of priorities; James and Mila were in the apartment The conflict finally broke out, but it was a bit anticlimactic. Mila's sad departure didn't even have a close-up of her expression. Correspondingly, too many shots were given to Mila's housekeeping process. I really don't understand the director's ingenious arrangement.
But must the three stories be rubbed together? And as analyzed by the film critics, they are three fragments created by the novelist. The only connection may be the common theme of love and being loved, loss and gain.
Therefore, I prefer to believe that the director has three sketches with similar themes, each with his own preferences, and they are strung together in the form of novels. With the time-space and scene switching of the old way, supplemented by the narrative rhythm and musical melody of the same style, if you can really calm down , savoring each story in isolation, I am in and out, and not completely led by the nose by the director, at least I can feel the pulse of Adrian, because Moran is amazing.
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