Lacy 2022-03-24 09:03:19
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Marcelle 2022-03-19 09:01:08
From the current point of view, it is the story of the brain-disabled girl, and I don’t think Monica can be called a "girl" at all. I think she is lazy more than "bad".
Wyatt 2022-04-23 07:03:54
Within the neat structure of the melodrama, Bergman draws heavily on the techniques of Neorealism: the film pays great attention to the details of the characters, allowing the story to develop in a naturalistic style out of the social context." with Monica "The Xia Xia" firstly pointed out that the tense was once - even if the whole film is told in a straightforward manner without any trace of retelling, it must be "after everything is over": one of the two protagonists focuses on the future and the other enjoys the present, and their feelings can only be left in Passed; this "transientness" also comes from Monica's almost animal youthful beauty, who defiantly looks at the audience - it is like those tender and insatiable moments in first love, pleasing but never. lasting.
Svensson: Come out with me. I'll cheer you up.
Monika Eriksson: Not likely. I've got other fish to fry. I'm going steady.
Svensson: You too? All the floozies are going off the market.
Monika's Boss: Nilsson!
Svensson: It's Svensson.
Monika's Boss: Same difference. I promised your boss a bottle on my ration card. He said you have money. Hurry up before they close!
