Mr. Oldman has been in the antique auction industry for many years, and he is an eye-catching authority on treasures. Until his retirement, he was the same in the industry. Suspicious, mean, ruthless, abstinent temperament, obsessed with cleanliness, or a vulgar beauty trick to trick him - how is it possible?
However, after watching the film and then going back to watch this fairy jump, which has been paving the way for at least two years, although the way is old-fashioned, it is almost inevitable that Oldman will fall for this. At the beginning of the film, he vehemently criticized Billy's painting, saying that the protagonist of the painting lacked "mystery" and therefore had low artistic value. Well, I will send you a mysterious young beauty who is isolated from the world and has a large number of antiques. In fact, the character setting of Claire is Oudeman 2.0 - Ou is withdrawn, she is isolated from the world; Ou is suspicious and mean, she is hysterical; Ou is selfish and fickle, she turns her hands into rain. Mr. Oldman's collection of portraits of women in a room epitomizes his aesthetic inclinations, which no one knows better than his old partner Billy, and it's easy to get you a realistic version.
To entice buyers to bid generously, it takes more than just a product. There has to be competition to make you feel that there is no such store in this village. The link that prompted Oldman to bid was completed by Robert's line.
Billy - the producer, Claire - the product, Robert - the sales, and a bunch of ubiquitous nursery, it's a professional marketing chain. Of course, advanced marketing is to make customers think that they are the active party throughout the whole process, "because you can't ask for it, and you want to be convinced." Who appreciates something that is readily available.
Oldman's withdrawn personality makes his private life circle so narrow, and the cross-consultation is a group of liars. The liars are good at playing hard to catch, and they always want to raise their suggestions about each other, and lead Oldman into the trap step by step.
To talk about Oldman's weaknesses, one is his extreme confidence in his profession, and the other is his artist's feelings in his bones. Literary and artistic genes occur regardless of age, and old houses burn faster when they catch fire. Oldman grew up in an orphanage. He didn't like to socialize and admired himself. He spent all his time communicating with works of art. He worried that Robert became Claire's "bidder" from a literary point of view, thinking that "the young man is going to rescue the isolated beauty from the old guy". In fact, this is the projection of his inner idealism and savior complex. Once the messiah complex is formed, basically don't expect to go back.
Some people say that the line of robots is anticlimactic, but I think this is a more brilliant bait in fairy jumping. This robot is the research topic of Oldman when he was in school, focusing on the conscience deception of customer experience, is there any? The room full of antiques is genuine, and the robot itself is worth a lot of money. Every time he picks up a little part, he and Robert have more opportunities to meet, which further promotes the development of the plot. As for why every time I go to an old house, I can find a new part without any doubt. I think that when the temptation of the pie is strong enough, people will be drawn by the gestalt psychology and take the initiative to justify it - people always believe that they are willing to believable. If this robot is just expensive and not Oldman's professional complex, it is estimated that his patience would have slapped his ass and left. Robert had asked him earlier if he liked Claire, and he said he was curious. In fact, the robot is the first step to arouse his curiosity. Oldman was ultimately defeated in his search for the mystery of artworks.
Finally, I don't speculate on why Oldman didn't call the police. Maybe it's because the collection is not in the right place, maybe it's because I can't bear the fake Claire, maybe it's both. Oldman was sitting alone in the coffee shop by the Prague Square that Claire mentioned. In addition to understanding it as a sigh of "fakes also have real traces", there are countless strong images around him at different times, what is real and what is Existence also made me see a little "waiting for Godot".
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