Compared with the heroine in "Legal Pretty Woman" who is inspired to get admitted to Harvard, the heroine here is indeed cheap, and she made the decision to propose to a man, and she did not hesitate to travel far and wide to pursue a foreign country. And this kind of routine is too familiar to us. The self-righteous love with my boyfriend for so many years is actually not worth the poking of the soul every second when I am with the male protagonist during the journey, even if it is foreign and the language is ironic, accustomed to.
So the first appearance of the male protagonist, full of stubble, hunched over, and molesting this foreign woman, I don't doubt that this is for the later desire to be suppressed first, but such an image makes it difficult for me to accept.
Later, the midnight beach after someone else's wedding was so beautiful that I wanted to fly into the screen. It was a sincere evaluation of the heroine by the heroine. The fact is that his back is easy to see, and his pain points are also Obviously, but the saddest and most pitiful I've ever seen is the male lead in "Transcendence", with such a deep and painful wound, but always thinking of others. That common saying, because I understand it, I am compassionate.
But I still love movies with shallow sentiments, which are so vulgar and unbearable, but they express the voice of every woman who needs love, those who can't cry out, and those who cry out but no one understands.
We are just looking for someone who understands us, not money, status and glory, just what I think about this second, inadvertently, the next second, you say it.
That's it.
Such an imperfect protagonist is so suitable, cheap, and full of cuteness, with the afterglow of the European sunset, distant legends, rocks eroded by time, and a good night drunk in his arms. Everything is against this moment, and time stays at this moment, with you.
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