Moving forward in desperation

Meaghan 2022-03-25 09:01:15

The topic was somewhat negative. In fact, I want to talk about the positive meaning of this film to me. The so-called helplessness is just a reality compared to an ideal state. But from reality to manuscript, from manuscript to film, what François Bégaudeau realizes, records and interprets is nothing but the story that happened between the four walls (entre les murs), neither praise nor criticism, neither positive nor negative.
But ideals are always compared with reality. I believe that many people cannot accept that what the film shows is too real to be real Paris. And in this imagination, François is not a perfect teacher, for many people, of course for himself. In the face of students' doubts, whether they are ignorant or reasonable, most of the teacher's expressions are surprised, touched, and helpless, but French-style sophistry is unavoidable.
Undoubtedly, Bégaudeau was dealing with a group of struggling students in a troubled neighborhood, at that age. Such helplessness is inevitable. But there is always a power to move forward. It's hard to say where this power comes from. Bégaudeau already has it, is it touched by the students, or it is brought by the classroom, but I think it is this power that motivates Bégaudeau to record the little things in the classroom, the bitterness or expectations. This may not be to add some meaning to life.
Try to move forward with helplessness and make unnecessary changes instead of complaining, hoping that you and your surroundings can have this kind of power.

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Extended Reading

The Class quotes

  • Esmeralda: [on Plato's book at the same time she provokes the teacher over a past incident between them] I guess that's not a tramp's book, huh?

  • François Marin: Khoumba, if we start choosing names to suit all your origins, it'll never end.