This is the second part of the tornado theme. As for the male protagonist who can save his son, I basically watch it without any worries, because it is impossible to save it, and it is not a disaster movie if it cannot be rescued, just like the male protagonist of the day after tomorrow and other movies. The part that really touched me in the film was Jacob, who was swept away by the fire tornado, and the person who was hesitating to retreat before, but was the first person to die because of the self-absorbed filming.
In fact, people are often like this. Before, they could be scared to death, but when the real thing comes, they can burst out with energy and courage that are different from ordinary people. Just like the last peter, the ruthless and almost cold-blooded peter in pursuit of the tornado, in the end not only for his own dreams and destiny, but also for save all the others' lives. He chose desperately to block the other side of the aisle with his battleship, because the rest of him would survive. As he pulled the noose tight and sat in the car against the odds, I had a glimmer of hope that he would escape disaster.
But that is impossible, and the character of the characters is also the source of tragedy. He was destined to dedicate his life to the object of his life, and it would be perfect to get what he wanted at the last minute. Anyway, his life will only have two endings, or die in tornado, or fail for a lifetime. If you die in tornado and see nothing, you are the real loser, he did it, he saw the wonders of the world that no one can touch. It is the dream he has pursued all his life, and this ending, for him, is it not a perfect and can be simply described?
Under such tragic and solemn feelings, even the stereotyped father-son love, lover's love, mother-daughter love, and public fraternity have become much more interesting. Because of Peter's persistent love for his career, he lit up other highlights by the way.
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