Needless to say, the storyline was for the Buddha's head before, but this time for the elephant and the elephant. The plot is entirely in the service of action, in order to show what Muay Thai needs.
The movie opens with a close-up of the elephant. The small villages in Thailand are really peaceful and beautiful, like a paradise. The elephant trainer is also very good, and the elephants are obedient and cooperate with the filming.
Then I watched the action scenes, and the slightly bigger ones were the four paragraphs. The first is the warehouse against a group of runaway youths, roller skating. Bicycles, motorcycles, four-wheel drive vehicles, if you don't know it, you think it's an extreme sports challenge. The biggest highlight is the somersault on the glass. Then there is the long shot that is known to be very awesome. It hits from the first floor to the top floor in one go, without being sloppy, but the shots are not good enough. Then there is the obscenity of the Thais. First, they played against the Brazilian war dance, and they played very gorgeously. Then it was John Finn's Chinese single-handedly. Finally, they played against four Russian super strong men on and off. The fourth paragraph is 1VS N, the joints are crumbly and brittle, the hands and feet are broken, this pig's foot has become a superman, it's okay to be stabbed by someone, but it's trivial to be beaten a few times, and finally it falls in the air.
The success of Tony Jia's line of stealing Buddha also makes him more hopeful to enter the international market with a big scene. The speedboat jerking off at the beginning, including the scene set in Sydney, is a deliberate cultural clash. The villains are Chinese, and the opponents come from all over the world. All saw Tony Ja's ambition. However, the roughness of the technology and the simplicity and rudeness of the plot have become a shackle.
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