Slender and elegant.
That set of pure black underwear is also quite tasteful.
Andre's side that is too gentle and too literary is funny. Angela's heart, Andre didn't know how to respond. Why Angela violated the rules for Andre, Angela's staring at Andre before the "runaway" and the "runaway" behavior after that, Andre didn't understand. I don't understand either.
But there is an inexplicable moving, and a kind of helplessness for being too stupid.
The third time I watched the movie, I still couldn't understand the style.
Andre's "Anti-Runaway" is a soulful climax. Angela's acting skills are fully reflected in her eyes, that kind of panic, that kind of lack of control, that kind of eyes that have no choice and a little bit of despair trying to find a way out. That look was exactly what I wanted to see. The miraculously enlightened Andre's image grew taller, and Angela, who was suppressed to a height of 6 feet, leaned against the wall and had to pose like a little white rabbit who was afraid of being caught by love.
However, Angela's tears in the back seemed inferior again. I don't know if it was because the previous performance was too wonderful.
Angela's rare sad eyes can be captured at some times, such as (49:15) when Andrea expressed complete disbelief in her confession (that is, the fact that he was an angel) and even played a self-righteous joke. when.
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would wonder if Andre had to be so down that he was going to commit suicide to meet Angela and feel Her caring, will be reborn, will love.
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I really want to go to Prague, Austria, to capture what Kafka has seen left over in Prague Square the sunset; I really want to go to Liujoliu Lane in Japan, hoping to meet a woman similar to Izumo Aguchi or Yoshino Tao; I really want to sit on the Eurostar, thinking about when I can see it There was a man named Ethan Hawke talking to a woman named Juliet Delby in the seat; I wanted to go to the bridge of Versailles in France, and painted an angel of Angela with a paintbrush on the side. A scene of crying and talking to a Moroccan man who is a head shorter than him.
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If Angela wasn't a six-foot-tall blond woman in a sexy black bodysuit The skirt does not have such fascinating eyes and soul-penetrating language. Andre might not fall in love with her. If Angel A didn't have the artistic treatment of black and white, and the beautiful shots like landscape paintings, maybe I wouldn't have fallen in love with this movie.
Beauty is deceptive, but I have no means or ability to resist its deceptive nature.
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Some of the dialogues are quite interesting, so pick a sentence or two.
"You told me from the sky that I was an oyster?"
"What kind of outfit would you choose?" "Slut (pi-da-si~)" "That suits you well" "Thank you."
"Please understand that I am a Loser, I still have a lot to deal with, will a slut come to help me from heaven?"
"Humans are always the same and need proof."
"I want to have sex when I feel free."
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In the short comment , I wrote, I'm jealous of the overly timid and cowardly Andre I hate at the beginning of the film.
But seeing his affectionate confession to Angela in the hotel corridor, when he was calling out to find Angela on the streets of Paris in the early morning, when Angela spread her wings and was about to fly away from him, when he bravely kept Angela , I was stunned. Because I think about myself, in the same situation, I may not have the courage to face myself. Or maybe I'm too serious.
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