1. The gay line is too tempting. The first 5 episodes of sex scenes are all male and male. Do you want our lives? The small bearded man (and the big bearded man, so use the small one) is actually an attack. When a drama begins to extend the personal life of the characters, we begin to integrate into the drama. These branches must be buried naturally, otherwise they will become tasteless. Point Murder did a good job. Michael Adam Hamilton of "Full Moon Wine" also made a cameo, like him, his eyes are so lewd.
2. Although the "Help" Oscar for best actress was not selected that year, I met Viola Davis. Her acting skills are really amazing, although it can be seen that her figure is a bit rickety and her face is not big enough for a big city, but this is also the story behind her powerful aura. When she took off her wig to reveal her curly black head, took off her makeup and saw Auntie's face, the contrast that hit her face gave us a lot of curiosity to find out how strong she is, how much pressure she can withstand, and how much she has to experience. How much suffering. Without her leading a group of young people to act, this show would never come out. Most of the show is to watch her, even if some people say that acting hard is like exercising, if you work hard, no one is to blame you.
3. I really love the title of the film. It is straightforward and subtle. The straightforward one is Get Away with Murder. It tells you that this is a drama that challenges the bottom line of morality. So Sam is not a scumbag, he did make a phone call, but in episode 15, when I saw him using a lie to deceive people, I felt that he didn't feel bad if he died (although I thought this uncle was very attractive before), this Just to justify the murder of the students, leaving a high degree of morality; and even if Annalise manipulated the entire murder, tampered with evidence, covered up and concealed, but she ultimately has her own bottom line of principles, she will never violate the criminal law, and form a moral protective fence.
4. The baggage left by many episodes is a bigger conspiracy, such as politicians, conflicts of interest, etc.; the baggage in Murder is more of a clue that she is pregnant, she saw Wes at the murder scene, A lot of the baggage is left over as the storyline moves around. It is rare to see such a good film as the main line of the sideline service. The sideline refers to the cases in each episode, including Anna's lectures, and the main line is the murder of the students. Lectures provided the legal basis for winning the case in each episode, and the cases in each episode promoted the changes of the characters in the main line layer by layer. Most of the cases involved parties are guilty, which paved the way for the students to try to destroy the body, because knowing the law and breaking the law is the natural enemy of lawyers; and the cases such as the basement imprisonment and the confession of the priest fully elaborated Anna's motherhood, sense of responsibility, and choice of love , which is directly related to the crimes she wants to exonerate the students.
Therefore, the charm of this film is that the screenwriter has a good intention to present the story, and tightly link the characters, rhythm, and plot that can be used together, even if there are some unlawful defenses and illogical investigations. What does it matter? What we see is not only a murder justification, but a murder reveal, which doesn't quite fit the title of the show and is a must for a show, so it's a bit tangled.
The only thing I don't understand is that there are a lot of unreasonable likes here:
Annalise has been doing things to Wes, Wes has been doing things, even if it is to seal his mouth, is it not Annalise who finally told it about the affair?
Wes fell in love with Rebbeca at first sight. Why, R is just a T! And Michaela, I don't believe the kind of person who says "What about my future?" but is actually timid. If she thinks like this every day, she should be more ruthless. She and Laurel should be reversed!
There is also the big bearded man Frank's feelings for Laurel. He loves and abuses and loves him. There is no foreshadowing. Laurel's character does not show some calm, independent, and rebellious charm until later; the big beard is really handsome, and there should be a Connor Flirt with him.
In the future, good dramas will still have to be chased, and there will be spoilers everywhere in the movie reviews. Fortunately, editors Dacheng and Wei Ma have acting skills, and the whole film has my G-spot (even if the second face), even if the result is clear by heart, still A very interesting film, how can it not be rated highly.
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