resentment but not anger, sorrow but not hurt

Kaylah 2022-03-25 09:01:12

Everyone experiences life and death, but no living person truly understands death.
The film views and understands life and death from the perspective of an mortuary, which makes people feel a little warm in the cold. The movie begins with quiet and gentle music, and Kobayashi is a cellist with his own musical dreams. But after the band disbanded, he was unemployed, and in order to survive, he chose to accept the job while hiding from his wife. He began to be very confused about his own life and didn't know where to go? There is a scene in the movie where he is on the bridge watching the salmon under the bridge, some are trying their best to swim upstream, while others are washed down by the dead. He didn't understand why he struggled even when he knew he was dead? Later, the old man told him that it was to return to the place where he was born. The cycle of life and death is actually not the end of death, the meaning of life is to continue.
The music of the movie is very touching, euphemistic and warm, witty and vivid, which well coaxes the development of the plot and the changes of the protagonist's feelings. I like the memory most, the tune played by the cello makes me cry.
The ending of the story is beautiful, Dawu chose warmth over indifference, tolerance over rejection, and love over hate.
Life always ends, please cherish every moment of life and everyone who appears in our life.

View more about Departures reviews

Extended Reading
  • Burley 2021-12-25 08:01:15

    I think this movie is not about death or even remembrance, but about how a person faces the worldly gaze in adversity. Life goes from caring about other people’s vision to finding one’s own value at work. It’s highly recognized that it communicates with the world and has forgiveness. From this perspective, this movie is more like an inspirational movie than a simple emotional movie.

  • Denis 2022-04-24 07:01:15

    The script is far from amazing. It is mainly through the funeral of the proprietress of the bathhouse that Dawu can gain the understanding of his son and his wife, and the two key plots of the father's funeral to unravel the knot are too well-behaved. You wrote most of the beginning. Ordinary screenwriters will choose such a continuation of the proposition composition. The selection of the remaining daily clips is really not outstanding in the Japanese-style warm feelings and comprehension themes, and the screenwriter did not put forward any unique views on life and death, but just piled up some very Japanese-style lines. In addition, the soundtrack that is too full and has no theme is really just pure sensationalism, but it is often a step ahead of emotion to grab the scene. The poignant part of this film is more about the shock brought about by death itself, rather than the drama.

Departures quotes

  • Mika Kobayashi: What are you doing?

    Daigo Kobayashi: This one. Here.

    Mika Kobayashi: What?

    Daigo Kobayashi: A stone letter.

    Mika Kobayashi: Stone letter?

    Daigo Kobayashi: Long ago, before writing, you'd send someone a stone that suited the way you were feeling. From its weight and touch, they'd know how you felt. From a smooth stone they might get that you were happy, or from a rough one that you were worried about them.

    Mika Kobayashi: Thank you.

    Daigo Kobayashi: What did you feel?

    Mika Kobayashi: Not telling. That's a lovely story. Who told you?

    Daigo Kobayashi: My dad.

    Mika Kobayashi: You mean... that big rock?

    Daigo Kobayashi: Yep. I got it from him.

    Mika Kobayashi: I didn't know that.

    Daigo Kobayashi: He said he'd send me one every year, but that's all I ever got. That jerk!

  • [last lines]

    Daigo Kobayashi: Dad... Father...