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contempt
Garnett 2022-03-25 09:01:20
This film is Godard's relatively calm thinking on love. It uses the structure of the play within the play to reflect the different understandings of love between men and women. Women use feelings to experience and express love, while men pay more attention to specific things themselves. The constant conversation is never a conflict over a single point. At the same time, it is translated as the translation result of the American director by a thousand miles to compare this kind of absurdity and estrangement, and at the same time, the story of "The Odyssey" is used to imply the occurrence of tragedy until the end. The female protagonist despised and abandoned the unfeeling male protagonist who ran away from an American director with a completely different language and died in a car accident. It was a Ulysses-like revenge with Godard’s strong subjective contempt, and it was like the “murder” repeatedly quoted in the film. It can't solve the problem", and threw the different love conflicts between men and women to every audience - what do you think?
Extended Reading
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Adriel 2022-03-24 09:03:35
Maybe just for a moment, I found out that the other party didn't care, and then a feeling of contempt lingered, and then I can't go back. Godard uses a complex approach to address the issue, which is part Odyssey and part Ulysses. Suddenly she felt that Wang Yuyan should have gradually developed a contempt for Murong Fu, and it reached its peak in the dry well and was irreversible. Is there love in contempt? Yes, but it's hard to go back.
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Fabiola 2022-03-20 09:02:54
#新看#SIFF@Studio; when contempt emerges, we fall apart; Odyssey and the characters are mirror images and intertextual references, which not only explains the origin of contempt in marriage in a universal sense, but also greatly expands time and space Architecture, this is the reason why the master can also show style when shooting popular themes; indoor long mirror follow-up shooting, panning, large red and blue color blocks, and abrupt soundtrack. Camille is the embodiment of a natural order unaffected by culture.
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Paul Javal: Producers never know what they want.
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Paul Javal: In '33, Goebbels asked Lang to head the German film industry. That very night, Lang left Germany...
Jerry Prokosch: This is not '33. This is '63. And he will direct whatever was written. Just as I know that you are going to write it.