In the movie, career and love are all beautiful, and the magnanimous painter is also hiding himself. The gray tone, which is probably what the director wanted to express, is repression, exploitation, helplessness, and almost most people live with a little misfortune, that is, they are born with a humble life.
In the film and television works that show the old Britain, the women are all standing upright, and the men are all dressed in straight suits, very upright and upright, just like him. He spends most of the film in the hotel, with his back straight, serving the nobles. I respect the attitude of concentration. There is a scene where the friends of the Viscount, who are looking for fun, kneeling and crawling away, and the gentleman who is not looking sideways pass by. He stands up straight, pulls aside, and avoids the line of sight. He is a subordinate, but I felt that if I met a real person, I would have unconsciously behaved dignifiedly in front of him, and became polite and polite.
At the masquerade party, he carefully watched everything around him, talked to himself about the life of a painter, imagined "home" in his spare time, and resisted hard when he was sick. He was used to watching alone and quietly.
Tragedy, from birth to death, even the cause and the result make me feel heartbroken, leaving a silent sigh.
I saw the oppression and injustice of that era, saw him looking for himself, saw how he treated the lady of the candy counter politely, and saw his pitiful and serious life. •••
I like her, she works so seriously, saves money earnestly, and has dreams•••••
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