The fox is not dead, the dog is cooked

Herta 2022-03-28 09:01:02

No matter what the facts are, since this work chooses not to show the original events completely, it has been decided that the story is the expression of the director and screenwriter. The so-called truth should be said to be the truth of the events in the movie, what is it.

Foxcatcher, the title, the name of the main location of the story, may even refer to the large number of hounds in the fox-hunting sport once prevalent among the wealthy in modern times. Dogs, pets, can be bought, can be hanged. At one time, it seemed to be alluding to Mark in John's eyes, but looking at the relationship between John and his mother, we know that although John is rich, he only thinks that he is a hound raised by his mother.

The dog that catches the fox best often gets the most reward. So John and Mark both thought they had caught the fox for a while. John thinks he can throw away his mother's horse training trophy and shouts that the medals won by the wrestling team he leads are the real foxes. And Mark also thought that he finally got rid of the shadow of his brother and found a reliable friend. So as soon as their respective masters deny their achievements, the balance is broken. The worst thing is that it wasn't a fox that was caught before, so what is a fox?

So John's mother passed away, and he didn't even have a chance to prove himself successful again. After re-watching the documentary about winning gold with Mark after the breakup, he suddenly realized that he was not the one who bought the dog back then. The intimacy was purely derived from the happiness that both of them were dogs. What he needs is not a more successful Dave, because Dave is a very independent person from beginning to end: 1. You can't buy a "person"; 2. Even if he is willing to accept payment from you, he is only "hired" of an independent person. When the relationship between this layer of was clear, he couldn't bear it at all, and chose to kill the people he could kill.

No bullshit about the dog-to-dog resemblance of John and Mark. They are all patriotic. The poor dog posted pictures of the founding presidents at home, and the rich dog sat leaning against the national flag in the office. Neither of them love what they're doing, Mark says his brother brought him into it, he just happens to be good at it, John doesn't know what he likes, he's already funded several different sports. Both of them have witnessed the growth of a more complete person.

They are all alone.

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Extended Reading
  • Liam 2022-03-30 09:01:03

    Miller's best work. Time will tell its worth. Please give Steve Carell a statuette. [After the Oscar: I got the LEGO statue TAT

  • Amparo 2022-03-31 09:01:03

    Different from traditional sports films, Bennett Miller's swordsmanship builds a gloomy and paradoxical world from a unique perspective. At this time, sports elements have taken a back seat, and the characters' distorted psychology spreads negative energy like a black cloud. , even if the American dream supported by huge wealth has become vulnerable, the smoke from the gun can't hide the inner loneliness in the end. The three male stars in the film all performed dazzlingly, especially Carrell's haze.

Foxcatcher quotes

  • [Dave feels uneasy and struggles on filming his scene on who John du Pont is]

    Documentary Director: Let's get pointed here.

    David Schultz: What are you looking for?

    Documentary Director: I think you know what we're trying to accomplish here. We're making a documentary that shows John is gonna be able to lead this team and lead you to levels of greatness in the world of wrestling that we haven't seen before. And, talk about that, but use some of those terms that he likes like excellent and intensity and validation.

    David Schultz: [laughs to himself] All right. Well, John du Pont... Say that again? I'm sorry. Can you ask me that question again?

    Documentary Director: John see's you as important to this. You're the closing chapter to this thing. You're the end of it, and you're the assistant coach. He see's himself as your mentor. I would like you to just look at the camera and just speak about John... as a mentor.

    David Schultz: And say what exactly?

    Documentary Director: That he's your mentor. Can you do that?

    David Schultz: John du Pont... is kind of a mentor to me.

    Documentary Director: Just look over here at the camera and say it again.

    David Schultz: [Dave clears his throat, smiles, and answers without emotion] John du Pont is a mentor to me.

  • [John du Pont drives up to see Dave Schultz, makes a stop, backs up his car, drives forward and parks up beside Dave]

    David Schultz: Hey John, What's happening? Hey Whoa!

    Wayne Kendall: [from Wayne in the passenger of Mr. du Pont's vehicle] No.

    John du Pont: You got a problem with me?

    Wayne Kendall: John. Don't, John!

    David Schultz: No, John, I don't have a problem. Hey... John -

    [gunshot from du Pont]

    David Schultz: Argh!

    Wayne Kendall: [Wayne leaps out of du Pont's vehicle] John, No! Stop, John. Stop!

    [Dave tries crawling away on the ground, grunting]

    Nancy Schultz: [Nancy Schultz runs out the front door and screams] John, no!

    [another gunshot is fired at Dave Schultz]

    Nancy Schultz: [Nancy runs back into the house when she see's Mr. du Pont aim the gun up towards her]

    [Dave grunts continuing to try and crawl away]

    Nancy Schultz: [final gunshot to Dave Schultz ending with a final scream, Mr. du Pont calmly drives away as Nancy holds onto her dead husband laying in the snow]