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Höstsonaten
Michel 2022-03-25 09:01:21
Charlotte (Ingrid Bergman), a prominent pianist in an orchestra, and her daughter, Eva (Liv Ullman), the wife of a pastor who works in a rural community, have a relationship between them. A deep emotional chasm with no communication for seven years. After learning of Charlotte's second husband's death, Eva writes to invite Charlotte to live with her, and the two try to get along well, but can't help but relive the past. Eva resented Charlotte for not giving her enough love during her childhood, focusing only on her career, alienating herself and her other daughter, who was highly disabled and could only communicate in a voiceless voice Helene (Lena Nyman). And Charlotte, because Helene and Eva lived together, and her husband's death had dealt a big blow to herself, she was also in a sullen mood and frowned.
Extended Reading
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Celine 2022-03-24 09:03:36
Bergman had just had cancer surgery when the film was made, and she was at odds with Bergman, the director with whom she had a name, and Bergman insisted not to tell Bergman how to act, so the camera recorded The pain, anger and powerlessness of Bergman are exactly what this film needs, the most real emotion. Bergman wrote in "The Magic Lamp" that one day Bergman said to him: "You know, I live on borrowed time now."
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Brain 2022-03-25 09:01:21
Love is a precious weakness; hate is a sad weapon.
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Eva: There can be no forgiveness.
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Eva: But one thing I did understand: not a shred of the real me could be loved or accepted. I didn't dare to be myself even when I was alone because I hated what was my own.