A family with a history of mental illness, the growth diary of a teenage killer, and a blood covenant.
After India lost her father, she watched everything that happened at home, and gradually changed from a bystander to a participant. The coldness and calmness in a girl's bones and blood were revealed, and at the moment when she raised her pencil to pierce her fist and punched her male classmate, it seemed to herald something.
The picture is beautiful, and the lens transitions are clean and beautiful. A thriller can be shot so beautifully, I admire Park Chan-wook's skills.
I love seeing Charlie slowly unbuckle his belt and kill quickly.
passages for piano. With mother, with India, all kinds of infatuation.
The director slowly pushed forward the girl's psychological changes.
The bed full of shoes from childhood to adulthood, until the last pair of high heels, an indifferent and calm girl killer appeared.
In the father's study, open the drawer full of secrets, the final spell appears, and everything is taken for granted. It's just a covenant between bloodlines, it's already been agreed, just waiting for the best time, Charlie and India meet, the world collapses.
I once imagined that if India did not kill Uncle Charlie, but the two of them went to New York together, would they become a pair of killer lovers in an incestuous love, enjoy the thrill of blood plasma, and play an extreme life.
She still saved her mother.
Driving on the road is a sign of her maturity. She was wearing her mother's sexy and elegant top, father's pants and belt, shoes from her uncle, and a shotgun. She finally became an alter ego in her body. Those white wild roses splashed with blood are the foreshadowing of life, destined to be blood-stained, inheriting the mantle of father and uncle. Those sunglasses, complacent, seemed to be watching from his father and uncle.
The drop of blood at the end of the film is beautiful and enchanting, shocking.
View more about Stoker reviews