The episode of being talked about by others as a fake princess and then going berserk was very shocking, and the brushstrokes became sloppy and manic. The inner activities of the characters were very responsive, and the facial expressions were a bit terrifying. American trailers always use that paragraph, and the white Rubik's Cube also likes that paragraph the most. My face is suddenly hideous. This technique is not so new for Japanese movies, and it is a bit strange - isn't it just talked about, why is it so violent? ?
The place where I want to complain is the last part of the Heavenly Palace, which made me feel very funny - the feeling of the Buddha, the beauty of the Tang Dynasty, and the Japanese princess mixed together. But it should be because I don't know enough about art history. The era set by Kaguya's Story might be Buddhist-style in all of Asia. I just think that the beauty of the Tang Dynasty came to pick up Princess Bamboo.
Naming the grandpa with thick eyebrows is a bit wretched, and when I first saw Princess Bamboo, I was fascinated by it and felt like a pedophile.
Among the five suitors, the prince with the Buddha's bowl is not bad, he is handsome, and the future promised to Bamboo is also on point (leave the earth, go to nature, and live freely). Putting a big ugly girl in front of others will surprise everyone, and it can't be said to be false.
The childhood sweetheart boy was added later, and it feels a bit old-fashioned in Miyazaki's movies. But fortunately, a relatively new twist finally came, and they got married and had children. The boy finally said that he could give up everything and fly away with bamboo (it's been a long time), which surprised me so much that my eyes popped out. Is it ok to preach about abandoning your wife and eloping with your first love? Later, when I saw the bonus, the director said that he arranged this to give Zhuzi a fantasy before flying to the moon. This is also reasonable, but Bamboo does not reflect the will to be with his childhood sweetheart. If this is the case, I would have been a princess long ago and went back to the mountains to find him. Classic works are difficult to change, otherwise they should be changed a lot, or it is best not to add characters randomly.
Looking at the real human flesh paintings page by page in the post-production, I feel that I should watch it again to appreciate the style of painting. I think the style of painting is indeed unique, but in terms of aesthetics, it is still not as beautiful as the five centimeters at the speed of light.
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