This is already a lovable story, but I think this animation is not limited to that. It begins with a performance on stage, and after the show is interrupted, the grandmother asks the young Champion if the movie is over and you don't want to tell grandma. Champion's answer doesn't come until 70 minutes later, after our animated film ends: the old Champion turns to us and replies, it's over, grandma. On his TV, the picture of his grandmother leaving Mirador after rescuing him decades ago is impressive. It is the story of us in front of the screen watching with him, that is, the end of the story of grandmother Souza and the three sisters. In this story, he is both a figure and a silent bystander on the stage, and the adventures of the grandmother and the three sisters are the works of art on the stage. Who said the stage must be a high platform built under the spotlight? Who says that artwork has to be a luxury created by a glamorous artist using the most exquisite materials? The three Mirador sisters were slender and attractive when they were young. Of course, their singing and dancing performances were superb art, but in Souza's story, they got old and stopped singing and dancing. They used newspapers, refrigerator shelves and vacuum cleaners to show strange and magical faces to the audience. rhythm. This experimental music is reminiscent of Picasso's Tete de taureau: a bicycle seat and two handlebars, but Roland Penrose called Picasso's most famous discovery. The creation of works of art cannot be separated from the material, but the essence of art can be transcended above the material. "Beauty" is the movement between pure material and pure spirit, which makes people feel that they are about to touch and out of reach. Whether it's the bright singing voice of a young beauty or the heels and hat of an ugly old woman with a lame leg, it can create a pleasing effect (such as the car Souza tripped on falling into the chimney of the ferry, emitting fireworks), because whether it is The experimental music on the stage is still the four people trying their best to stop the Mafia's pursuit along the way. The behavior of the three sisters and Souza always carries a "game" meaning (borrowing a Schiller concept), which is serious. The ordinary things in their hands are given a strange meaning. In their hands, the refrigerator shelf is a piano, and the three floppy women's hats are guns. Lifting weights is light or heavy, and the bloody chase has become a family-like game. It is reminiscent of the father who used his life to act for his son in "Life is Beautiful". We, as well as the bystander Champion, were like little urchins in the concentration camp, gazing at the performance of the four heroines, forgetting for a while the heavy lives they carried - temporarily transcending the flesh within the confines of the earth, this is the The true meaning of art.
On the other hand, the mafia gang, even though they ironically installed a dynamic background that realistically simulates the road landscape on the gambling table, but there is no freedom at all, the racers pedaling in place are like that. A terrified dog dreams of a train running on a circular railway, with only mechanical repetitive movements at every moment, which is the blind will of Schopenhauer's writings, which clearly results in nirvana and silence, but is still driven by desire. And nothing is more moving than art and the free will behind it temporarily overcomes the undercurrent of desire of blind machinery. Even if it is only temporarily, it will forever separate the soul of human free play from the dust and mud, and create a party for future generations that can travel through time and space. of amusement park.
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