the little girls who watched it in the dormitory were shocked. I
revisited it in the afternoon and
still felt that the picture of this film was too beautiful,
with a strong Indian style, Buddhist Zen and unrestrained love. Combining one, every shot is carefully considered.
For example, when King Ashoka met an assassin in the river in front of the palace, the cobra and the blood gushing out of the water implied the arrival of danger,
the silhouette of the monk walking under the setting sun, the
princess. Once appeared, in the green mountains and plains, a bright red figure , King
Ashoka was seriously injured and was recuperating, the dream that was evoked by peacock feathers
, etc.
Under the background of ancient wars, the
princess and the prince met and fell in love and missed each other, but in the dark Still implicated by the thread of fate, when the
last two met again, they could never go back to the past
. One of the most beautiful scenes that reflected the two of them was
in the early morning, when King Ashoka stood on the beach in front of the palace, with a The river water of foam and white petals washed his feet
. The princess who was hiding in the deep mountains at this time seemed to be moved by a kind of supernatural feeling. She accidentally overturned the milk and spilled the white milk on her feet. . .
The two are separated by thousands of miles, but they feel the throbbing of their hearts because of these very ordinary things.
Maybe this is the power of love. In the
end, fate overcomes love, mercy overcomes force, and the great love for the country overcomes the little love of little men and women, and the screenwriter overcomes. The audience = =
ps. The fighting action of the uncle playing Ashoka is really handsome and powerful
pps. If you want to have camera technology and Google now. . . Or have a cell phone. . The tragedy of the two of them will not happen.
Technology will change human life. . . . . . .
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