Meat is no longer the eagle's prey

Maybell 2022-03-27 09:01:05

Old DuPont was already famous in France more than 200 years ago. In the 1760s, he received the first government order. As a family that sponsored the American Civil War, the arms business of World War I and World War II also accumulated a lot of wealth and productivity. In the 1960s, in addition to the chemical industry, it aggressively attacked the construction, automobile, and steel industries, becoming one of the top ten consortia in the United States and the largest chemical company in the world. On January 26, 1986, family heir John Doe shot and killed David Schultz next to his Pennsylvania estate. They were not competitors in the business field, politicians and partners in the Vanity Fair, or rivals who were jealous of the actors. . What is the reason for this sensational shooting that made a man of great wealth shoot a man of such disparity in status, presumably the director of "Foxcatcher", Bennett Miller, is particularly interested in this matter. , will want to plan to make this movie, fortunately, the DuPont family openly agreed with Miller to put out the family affairs, and return the truth, it can be regarded as a kind of redemption.

"Foxcatcher" is based on a true story. One of the parties, Mark Schultz, acted as a co-producer as an inconspicuous referee. This film is dedicated to his brother who is also his father and brother, as the victim's younger brother. Such a way of reconciliation, stepping out of the past, out of the care of my brother who accompanies him like a shadow.

The story begins with Mark Schultz's speech to a group of elementary school students. Mark, who is not good at words, holds the 1984 Olympic gold medal and plausibly said, this is not a gold medal, but a national honor. The children in the audience looked blank. , and his surging heart is like a double world of ice and fire. In the next shot, the clerk paid Mark $20 for his speech, and repeatedly confirmed that Mark was David, and Mark's dull and forbearing expression clearly showed his embarrassment. Then, the camera followed the wrestling world champion, living in a motel-like room, eating instant noodles with tomato sauce, and training with his brother David, who is also a world champion.

Miller, who has filmed the famous "Capote" and the "Moneyball" insinuating the success of learning, this is the third film he directed. It is still the style of biopics that respects facts. This time, he is even more promoted. A person-centred rather than event-centred philosophy of expression. Therefore, the film spends a large number of scenes to lay out the past of the two brothers Mark and David, as a foreplay for the ending that DuPont brought them to death.

The best part of this group of foreplay is the scene where the two brothers are training. In the process of the brother making muscles for the younger brother, it can be seen that the brothers who have been divorced since childhood depended on each other and gave and accepted each other. The movements of relaxation and pressing were done with all one's heart, while the younger brother showed an absent-minded affection. The elder brother controlled the rhythm of the warm-up and tried to wake up the younger brother's absence with a back throw, but the younger brother became angry, raised his forearm and hit the elder brother in the face, the capillaries on the bridge of the nose were ruptured, and the elder brother wiped off the blood with a T-shirt. Immediately, he subdued his younger brother to the ground. After five countdowns, he still couldn't move, and his younger brother Mark's face was full of tears.

Hand-to-hand combat has become a wrestling and dialogue between brothers.

Many Olympic champions like Mark are in a dilemma after the peak, which is also equivalent to the loss of ordinary people after the peak of their career, the attachment to the past and the choice of the future, being wanted too much and being able to do too little The one caught in between was uncomfortable.

In fact, it is not only Diaosi who suffers, but also a rich second generation like DuPont. When he stands on the battlefield of his ancestors and is immersed in the supreme glory of conquering the country, he will feel more and more insignificant. Due to the great achievements and admiration of his ancestors, as a family heir, he is lackluster, so he wants to build his own followers and even his own empire. So, he built a wrestling training ground in the manor, recruited the unhappy Mark, and formed the Fox Hunter team; he sponsored the national team, named himself the national team coach, and packaged himself as a mentor competing for national honor. He's tired of guns and ammo, birds and foxes, and his next toy is people, people like Mark and David who play his favorite wrestling at the highest level.

After Mark won the world championship, on the special plane that DuPont and Mark flew to the Congressman's dinner, he taught Mark to practice his speech, and told him to read the names of those ornithologists, philatelists and philanthropists more beautifully; Also taught Mark to smoke cocaine, take a custom wallet, and smoke more gracefully. At this moment, he has completely bound Mark, and used these two ways to enter the upper class. Mark is a playmate he pulled after self-healing. Soon, this playmate was no longer fun. Mark was unable to improve himself in wrestling and was willing to degenerate. Therefore, he recruited David by means of funding, and asked David to be a coach.

Like many rich people who have made a lot of money, they want to show their social status and value. However, what puzzled him was that he could control a lot of money, but not a single person.

After his defeat at the 1988 Olympics, Mark left the Dupont family estate like a beast. On this side of the camera, a close-up is aimed at DuPont's profile, like an eagle. His high Jewish nose seems to be sniffing something. This family that likes to be called "Golden Eagle" probably has such a hunter for prey. habit. However, this time Dupont watched his former prey helplessly and got rid of himself. Anger and a deep sense of frustration fermented in his heart. Unfortunately, in this family that produces weapons and fuels for their business, machine guns and tanks are their customizable toys, as well as tools to vent their dissatisfaction and create happiness. With his mother despising his wrestling career until his death, love and approval were always lacking, and when he saw how easily David had become the centerpiece of the wrestling team and family, his unsustainable ambitions returned. Goal, so he picks up his toy and ends David because David has more than he has.


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Extended Reading
  • Teagan 2022-04-02 09:01:02

    A cold dream-breaking movie without important female characters, but it's not ugly. As soon as DuPont appeared on the stage, he was very impressed by the expression he stared straight at Mark. Later, he felt that it was more like a child's outward expression of wanting to possess a toy. However, this kind of character setting (whether it is a real biographical character or a fictional movie character) that the father does not love the mother does not love, I really see too much. Lonely and widowed, there is a dark road.

  • Albert 2022-04-01 09:01:03

    Ethics in sports attire The dark overall tone of the film is that the hero's face is not interesting and a time-wasting film

Foxcatcher quotes

  • [Dave feels uneasy and struggles on filming his scene on who John du Pont is]

    Documentary Director: Let's get pointed here.

    David Schultz: What are you looking for?

    Documentary Director: I think you know what we're trying to accomplish here. We're making a documentary that shows John is gonna be able to lead this team and lead you to levels of greatness in the world of wrestling that we haven't seen before. And, talk about that, but use some of those terms that he likes like excellent and intensity and validation.

    David Schultz: [laughs to himself] All right. Well, John du Pont... Say that again? I'm sorry. Can you ask me that question again?

    Documentary Director: John see's you as important to this. You're the closing chapter to this thing. You're the end of it, and you're the assistant coach. He see's himself as your mentor. I would like you to just look at the camera and just speak about John... as a mentor.

    David Schultz: And say what exactly?

    Documentary Director: That he's your mentor. Can you do that?

    David Schultz: John du Pont... is kind of a mentor to me.

    Documentary Director: Just look over here at the camera and say it again.

    David Schultz: [Dave clears his throat, smiles, and answers without emotion] John du Pont is a mentor to me.

  • [John du Pont drives up to see Dave Schultz, makes a stop, backs up his car, drives forward and parks up beside Dave]

    David Schultz: Hey John, What's happening? Hey Whoa!

    Wayne Kendall: [from Wayne in the passenger of Mr. du Pont's vehicle] No.

    John du Pont: You got a problem with me?

    Wayne Kendall: John. Don't, John!

    David Schultz: No, John, I don't have a problem. Hey... John -

    [gunshot from du Pont]

    David Schultz: Argh!

    Wayne Kendall: [Wayne leaps out of du Pont's vehicle] John, No! Stop, John. Stop!

    [Dave tries crawling away on the ground, grunting]

    Nancy Schultz: [Nancy Schultz runs out the front door and screams] John, no!

    [another gunshot is fired at Dave Schultz]

    Nancy Schultz: [Nancy runs back into the house when she see's Mr. du Pont aim the gun up towards her]

    [Dave grunts continuing to try and crawl away]

    Nancy Schultz: [final gunshot to Dave Schultz ending with a final scream, Mr. du Pont calmly drives away as Nancy holds onto her dead husband laying in the snow]