Summary

Electa 2022-03-25 09:01:14

(1) SOME DETAILS
1. Death hint: The close-up of Ivan's face at the opening (7:59) is identical to the photo of Ivan in the closing file.
2. Three kinds of dwellings: the dwelling of the mad man (the erected chimney); the dwelling of Martha (the erected birch); the dwelling of Ivan (the erected cross).
3. Fall scene: Captain's fall (in the trenches, talking about Martha); Herring's fall (by the river, talking about Ivan). Appears when the character lacks reasons and lacks confidence.
4. Cobwebs: Cobwebs in the first dream; Cobweb images of ruins; Cobwebs found by Martha in the birch forest.
5. The double perspective in the well (18:18): It can be seen as either the "bottom of the well→outside the well" perspective or the perspective of "outside the well→bottom of the well"; the split of identity.
6. Time and water: Dreamland - Ivan drinking water - well water - rainwater - sea water - life and cycle - time; reality - river water - stillness and death

(2) Tragic
1, not just Ivan's death.
2. One interpretation is that Ivan cannot distinguish between reality and dreams, but the problem is not that Ivan cannot distinguish, but the failure of the healing function of dreams: reality invades dreams (gunshots, whispers of German soldiers).
3. Ivan's Split: Child's Habits/Adult's Passion. Ivan must die, or in other words, Ivan cannot grow - the belief of revenge traps Ivan in the "past-reality" cage. War is Ivan's absolute need and the only way for him to recognize and evaluate others. A "post-war", future life was unimaginable for Ivan. Different/irreparable trauma from other characters.

To be honest, I think the casting of the tower, except for the strangeness of the male protagonist of "Solaris", is praised by everyone else! Captain and Martha's long lashes are so heartwarming!

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Extended Reading
  • Armando 2022-03-19 09:01:06

    War is a nightmare, and childhood is a beautiful dream. In addition to reality and reality, at least one choice must be left for you.

  • Roy 2022-03-15 09:01:05

    Based on Bogomolov's novel. The novel adopts Khaltsev's first-person pronoun, which is flat and straightforward. Tarkovsky decided to add Ivan's dream to the film. He wants Ivan to live on the screen in two sets of shots: one is the real world, where he is a scout, performing combat missions; and the other is the world of his dreams and memories. 00:02:41, the mother in the dream. 00:13:28, details of the composition of leaves and fruits. 00:17:03, the connection between reality and dream, the use of water. 00:18:31, the old tower's presentation of dreams is sharp and complete. 00:26:13, the wind blows the wooden door. 00:32:01, the empty mirror cuts off. 00:45:22, mirrors, lamp positions, installations. 00:57:01, flashlight, fisheye lens, sound effects. 01:00:36, the whole dispatch revolves around the mirror. 01:03:21, along the diagonal line of the table, pull out the three-person Xiaoquan from the single mid-range shot. 01:07:32, negative film, apples all over the floor. 01:31:45, empty mirror with onomatopoeia.

Ivan's Childhood quotes

  • Ivan: Mamma, there's a cuckoo up there!

  • Ivan's Mother: If a well is really deep, you can see a star down there even in the middle of a sunny day.