irreconcilable mental breakdown

Hans 2022-03-24 09:01:51

This 1951 black-and-white film co-starring Vivien Leigh and Marlon Brando is based on the play of the same name by the famous playwright Tennessee Williams. It is one of the most important films in American film history.

The whole film is full of collisions and retains a strong stage play flavor: the strong opposition between the vulgar and the elegant, the brutal truth and the delicate pretentiousness, the brutal cruelty of the reality and the fragile and poignant beauty of the fantasy, this opposition is complete and distinct. Perfectly performed by Vivien Leigh and Marlon Brando. Director Elijah Kazan is deeply influenced by the British academic film art. He tends to be three-dimensional in terms of movement and rhythm, and is obsessed with the image expression of close-up switching. This style allows the actors to have enough space to give full play to their talents. Divided with personality, and created a beautiful balance that conveys the impact of the story. The film goes against the old-fashioned Hollywood "big reunion" and arranges a tragic ending. Its content is strongly allegorical. It is the first time to come into contact with the issue of the impact of sex on people's physiology and psychology; people interact with each other because of "desire". Devouring, forming a world of the law of the jungle, and revealing the result of the collision of women's stubborn desires and men's stubborn desires: eventually leading to the heroine's madness.

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Extended Reading
  • Reagan 2021-12-08 08:01:38

    If it weren't for Vivien Leigh, most people would hate the pretentious Blanche; if it wasn't for Brando, most people would hate the rude and violent Stanley.

  • Zackery 2021-12-08 08:01:38

    Leigh played Blanche so well, so well, so well that it hurts. It's terrifying that Leigh can let people see part of himself in such a character. Desire, vanity, lies, these words that accompany a woman's life, burst out so concentrated and sharply.

A Streetcar Named Desire quotes

  • Mitch: Oh I don't mind you being older than what I thought. But all the rest of it. That pitch about your ideals being so old-fashioned and all the malarkey that you've been dishin' out all summer. Oh, I knew you weren't sixteen anymore. But I was fool enough to believe you was straight."

  • Blanche: Straight? What's 'straight'? A line can be straight, or a street. But the heart of a human being?