as a typical melodrama, "Meet Hate Too Late" shows a certain degree of "anti-sociality", personal and social/ideological contradictions in daily affairs and family life Hidden all the time. This was purely out of the oppressive background of the time and the needs of the audience - in the Western society of the 1940s and 1950s, the family itself became an increasingly obvious source of pressure. The tension of the film is mainly expressed through the strong conflict between morality and emotion in the heroine's heart, as a classic line in the film says: "Please forgive me, forgive me for falling in love with you." Under the moral system of the middle class , Blind love has become a mistake. In the emotional entanglement and inner struggle, this mistake was finally corrected when the hero left Africa, leaving behind endless sorrow and bitter and sweet memories, and life will continue to be turbulent. Proceed in amazement. At the end, the heroine is sitting in the warm living room, opposite her husband who is playing crossword puzzles, the past is vivid, but love is no longer available, Rachmaninoff's "Piano Concerto No. 2 in D Minor" for her. The complex mood is greatly enhanced.
"Meet Too Late", "Great Expectations" and "Oliver Twist" are also known as the English literary trilogy shot by David Lean, and it is also Lean's early small-cost production and later large-cost wide-screen epic blockbuster films. watershed.
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