Scarlett Johansson doesn't have any classical temperament, her expression is monotonous, her eyes are dull, and her squid-ring-like lips always seem to be unable to close. I have wanted to tell her countless times if you can close that stupid mouth for me. The male protagonist is a puppet. The inside is the gold props of the mother-in-law, and the outside is the jester who has been ravaged by the gold master. He also cheats with the maid in the holy name of painting. Proposal. Cillian Murphy has become a confidant-like catcher, aware of her girlfriend's gossip and trivia, as well as her spiritual infidelity. Murphy's neurotic messy temperament creates a butcher that's the least like a wet market butcher, who really acts like a lunatic.
Cornelia, a precocious scheming girl, doesn't know what role she plays in the movie. Just like the so-and-so in Atonement, she is a terrifying precocious girl who discovered the secrets of adults. She has a mind beyond her age, but she can use her identity as a minor as a cover. In the first half, there is still her conflict with the maid, and in the second half, only her peeping monitor-like eyes remain.
The male protagonist is weak, so there is no suspense. The reality is a meeting, like a dream. The male protagonist can't give her anything except this so-called ambiguity. The maid is just a relief in his powerless life. In the future, his life will be like this, and so will hers. Between these two people, I'm afraid it's not even the name of love. Can this encounter really create that breathtaking famous painting?
By the way, talk about the mistress of the variant. No way, marriage is a woman's grave. When you change from a woman to a hostess, what you eat and drink every day, how do you raise your children, how do you interact with relatives at home has become irresistible and become the new focus of life, the pursuit of beauty and self-improvement can of course continue to exist, But the fireworks of chai, rice, oil and salt have made your pride and agility not as chic and pure as a single woman, and your partner's appreciation for you will gradually be lost because of the 0-distance life. Just imagine, you can still happily discuss Journey to the West, the Great Voyage and Hamlet with a person who has quarreled over who pays and who doesn't.
The moment a family is established, administration, finances, PR, and logistics become the rights and obligations of a woman's life, the hallmark of a hostess, and a burden that erodes self-consciousness. Women begin to deform under pressure. When a woman is no longer a woman, a man still feels that he can find a woman in the outside world. So it's really a contradiction. If you love yourself the most, don't get married.
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