One star is for the soundtrack; one star is for Sato Takeshi's small body; one star is for the play. The Japanese fight scenes were not worth watching, but the soundtrack is really seamless, making the ordinary fight scenes more real than the real ones. Especially with the small body of Ken Sato (it is said that there is no substitute), it is so handsome! However, the plot of the story is still as painful as the first one, the foreplay is too long, and it is not as interesting as the previous one. Second, I can't see how deep the relationship between Jianxin and Xun is, but every time I use Xun to stimulate Jianxin, what is this? But if you think about it carefully, you can't use the slogan of national justice. Jianxin also knows that the new government is not much better, and it is completely pitiful for these innocent people. Therefore, we can only use the stalk of the love of children, but the stalk of the smoke is too hard to get up, it is completely like a hard stuff, as long as the smoke appears, there will be a kind of "this is getting in the way again". feel. Why do most movies portray women like this? Or is it not meant to be portrayed that way, but it always makes us think so?
Another day, I cut out all of Kenshin's fighting scenes and watched it several times. It's really handsome. It is worth mentioning that Ken Sato played some small details well, such as the gesture of putting back the sword and so on. Although it is only a few seconds, he must have practiced for a long time under the stage for these few seconds.
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Rurouni Kenshin Part II: Kyoto Inferno reviews
