At the beginning, from a big perspective, I explained that the guests knocked on the door, but an indoor shot was inserted abruptly. This shot gives people a weird feeling, since there is no one in the house, why give this shot, if there are people, people?
Finally, I explained that there were dead people in the house. So, this scene, which was established in terms of subtle sense of disobedience and audio-visual logic, just passed by calmly.
As soon as the experts make a move, they will know if there is any. The whole film is maintained at a rather forbearing but fine audiovisual level.
There is another impression, although it is an empty mirror transition, but the empty mirror is also a subjective lens. efficient.
The story is also very hanging. Capote and the prisoner fell in love with each other and killed each other, and finally died of self-blame, a female writer who watched with indifference.
That's dramatic.
Five stars.
By the way, Hoffman is gone too. I still remember the appearance on the pirate radio station, the youthful smell in the fragrance.
Tribute to those who died.
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