The film, through the murder experience of a handsome campus killer, shows the erosion and destruction of human nature by current pornographic violence. . .
The protagonist, Bosque, is a handsome, talented, and charming school grass. . .
His greatest quality is to make the women around him fall in love with him without hesitation, and then he brutally murders them mercilessly, and then makes them into underground video tapes to earn for him and his boss, dirty profit. . .
On the other hand, the kind Angela and Chema, who were simply curious about pornographic violence at the beginning, slowly developed into their hatred and nausea of real violence. . .
They resisted the allure of porn and the erosion of violence. . . .
Step by step approached the ugly and frightening reality. . .
. . . . . .
By the end of the movie, of course, good triumphs over evil. . .
. . . .
However, at the end of the film, people's fascination with pornographic violence remains unchanged. . .
Originally, all kinds of media that just spread beauty have become a hotbed and an accomplice for the spread of pornographic violence in the chaotic and complicated contemporary age. . .
Faced with such a cruel reality, Angela and Chema, these two kind children, were helpless. . . .
It's not that they don't work hard, but that this era is too realistic and this era is too cold. . .
As shown in a plot in the film: A subway train killed a passerby, and people's concern for him was not out of sympathy. . .
But out of an unspeakable, blind worship of violence, fear of death and inadvertent pursuit. . .
,,,,,
The young Alessandro Amamba, through the film of nearly 2 hours, told us a helpless and terrible reality: human nature is not only selfish, it contains , and a darker, more animalistic side. . .
However, the weaker we can do is like Angela and Chema: resist it, expose it, stay away from it. . .
And, in the end, it will save us. . . .
That is, that boundless, public and selfless love. . .
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Believe me, in this cruel world, only love can save everything. . .
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——Li Yang
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