From the background, the religious skin of the lost at the end of the day is too thick, and I don’t have a little understanding of the biblical stories, and I have some understanding of the concepts of 'sin' and the final judgment in Christianity.
In terms of rhythm, the beginning of Doomsday is really procrastinating. The only thing I've seen that can drag on more than this is this year's Godzilla. Oh, and there is another one, Ben Hur of the Golden Man Awards, the slowness of the beginning of the birth of Christ is simply Otz. In the middle, the chaos of the sudden disappearance of some people on the plane and on the ground finally entered the exciting and climax part. The switch between the plane and the ground, the response to the crisis, is full of torture of human nature. The ending landed smoothly, and everyone celebrated the rest of their lives, but they didn't know that a bigger crisis was still ahead. The whole film was finally finished at the end, and it also dug a deep hole for the story that followed.
After watching the whole film, it is conceivable that most people are inexplicably and indignantly facing the big screen that starts to brush the cast list. As far as entertainment goes, the film is too boring and too serious. But in all fairness, even if the performance of the nun in this film is not as good as the peak period when he braved the deadly island, it is much better than the ghost rider who can only see the match head.... The content of the story is smooth, and the questions raised are extremely profound, which is much better than some illogical gimmicks.
Think about it, can those who leave enjoy the happiness of heaven while watching other relatives and friends suffer? (Assuming they did go to heaven) If they sit back and watch, how can they leave? Those who remain, face the guilt of 'sinners', do they accept and repent? Or struggle? Or simply give up on yourself? Is it really God who decides people's fate in this way? Or the devil? The last film that made me think this way about human nature was 1942.
In a word, this film is not a good film that can break through the barriers of culture or civilization, but it is still a good film.
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