Because let Reynolds and the movie synopsis watch it. Want to know what kind of power can make people wait for a lover who leaves without saying goodbye for 19 years. The rhythm of the whole film is too frivolous and the plot is too exaggerated, and it does not have the humor it deserves to be a comedy. The film also did not express that romantic love too much, only that Keiko sacrificed her feelings for the country. He didn't express any motivation to support Abel's persistence, didn't express his deep-seated thoughts, didn't describe his surprise when he learned about Keiko's tragedy, didn't express his pain when facing Keiko's body, even when people and ghosts looked at him Simply saying "I will take good care of Yumi", not to mention the joy of facing the sudden return of the woman, and even to find out the truth for Yumi is like an occupational disease performing official duties as a police officer.
But, I think it's these unexpectedly missing plots and bland handling that get me the answer I'm looking for. because they have merged.
In 19 years, in such an unbelievable longing timeline, Abel tried to free himself and become a normal man. But he was abused and stopped by the woman who loved him. Abel was wrong. He didn't live in the past, and he didn't need to be relieved. He has been starring in a drama with no ending. The one-man show has been too long, and it has reached the point where it doesn't matter whether the heroine returns to the stage. As long as there is no curtain call in life, it will continue to act. . .
Time has covered up the bits and pieces of the past, and at the same time, it has also revealed that there is a feeling that gradually germinates in Abel's body, and a new immortal mandala is formed in the heart. . .
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