I have to say that several of the main characters in the movie are representative of character machines. It is natural to promote the development of contradictions in the play.
Starting from the heroine April, she is a typical middle-aged female teacher in elementary school. She likes children very much. She is upright, disciplined, never cheating, and takes principled issues very seriously. And her special identity in this film is an orphan who was abandoned by a foster family when she was a child. This is directly causally linked to the paradoxical boost in her desire to have a child herself rather than adopt a child.
The heroine's mother, Bernice, yearns for a world of material fame and fortune. She has rich experience but loves romance. As an up-and-coming local talk show hostess, she wants to put some thought into her family (even though her family consists only of herself and her abandoned daughter).
The heroine's divorced husband, Ben. Also a primary school teacher, but because of his young age, it is obvious that a big boy's immaturity is seen. For a woman who desperately aspires to be a good mother, such a man is clearly the wrong choice. (Suddenly thinks of the divorced Wen'Ma group) He is attracted by April's dignified and sometimes sexy personality, but the two people's hearts are fundamentally different, and I'm afraid Ben hasn't even thought about what family means. He was just curious about everything like the novelty he showed when he first saw the moving image of the fetus in April's womb appearing on the fetal monitor.
(pending upgrade)
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