However, the problem is that it is difficult for this kind of sketched film to form an overall harmonious atmosphere through the gaps in the film. That is to say, it is still at the stage where the impression has not yet formed-the scenes composed of pictures with connotation have not been able to break free from the content of the story (narrative), it revolves in the inner narrative of the narrative, and appeals to emotion power, in order to achieve the purpose of "terrorist" rumors. In doing so, however, it also confines the horror itself to the story rather than deferred to the form of fear. Compared to Hitchcock's formal handling of suspense, the film still falls short - although it provides a very good horror story; mobilizes emotion, but that's all, nothing further. play.
In terms of lens language, the overly generalized traditional methods have nothing to praise on this subject that requires strong expression. This, on the other hand, limits the scope for greater power over fear. in, rather than discomfort.
Taken together, it is appropriate for Kobayashi to play Samsung.
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