So Buñuel shoots seemingly absurdly, but is extremely serious and serious. The impression formed through this contrast has a powerful effect... For example, the neutral buildings in the "obscene photos" convey a self-evident social confinement, and the method to produce this effect is to use the viewer's Make a fuss about the psychological expectations of the image. This method is not very clever (with the times), but the overall effect is still achieved.
Thinking about it carefully, isn't this set of narrative techniques exactly the way to create suspense - Hitchcock's reverse application. And it is this series of suspense that really drives the development of the film. In contrast to the realist plot impetus of "The Forgotten People", Buñuel's later films basically rely on creating suspense; contrast to narrate. Including "Prudence," "Simon," and "Galaxy," it's nothing but the electrification of absurdist drama. Therefore, it is logical to present a sketched architectural style.
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