The clip is top notch. The historical picture and the shooting picture are blended together without flaws. Perfect.
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Rozella 2022-03-25 09:01:07
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Margarette 2022-03-26 09:01:04
"What is past is prologue. Dedicated to the young in whose spirit the search for truth marches on."
Danielle 2022-03-26 09:01:04
The opening of 8.0/10 lost a lot of catalysts, but the rhythm of the first half fell a bit hard. From the independent investigation, all the skills were slowly returned, and then it reached a climax at the end, which is quite pleasing among the main themes of American liberalism. The script structure is still old-fashioned, the family-abandoning hero, the terrific eloquence, and the strong and charismatic leadership are all unexpected, but the lines are set up quite well. The bias is indeed very obvious, and I didn't try to cover it up like a "documentary", so I didn't intend to attack this point. Part of the scene design has a certain charm, and the mysterious man chooses to meet in Washington, a series of descriptions for Xiao. For international audiences like me, the switching of locations lacks a little bit of supplementary scenes, whether it is streets or connections, states and states, cities and cities. Not touching the interests of the media, and being relatively neutral to propaganda, has become a relatively conservative point in the film.
Jim Garrison: They killed Robert F. Kennedy. He won, and they killed him. They shot him down.
Liz Garrison: Oh God. Both of them? They got both brothers?
Bill Brousard: Clay Bertrand is Clay Shaw?