I don't understand, don't dare to judge

Kameron 2022-03-24 09:03:01

A few years ago, it was like watching this movie, but I didn't see it because I couldn't understand it. Today, I finally watched "Last Year in Marienbad". I took a nap when I saw it at 40 minutes, got up and read it again. The next 50 minutes were a little easier than the first 40 minutes. Maybe it was the reason for the nap, and I was full of energy. Watching such a movie has to keep your spirits up, otherwise with black and white tones and an incomprehensible soundtrack, you will definitely fall asleep.
I don't understand it, and I dare not judge its good or bad, but I recommend everyone to watch it, experience it for yourself, and comment. This is my little experience.
The overall style is quite similar to "Love of Hiroshima", and it was only after seeing half of it today that I realized that the director was Allen Resnais.
The number game in the film is very interesting and appears many times. I don't understand what this symbolizes in the film, the game between the hero and the heroine's husband or what.
I just love the Ballot style. Loved the massive presentation in the film as well.
The soundtrack is weird and I can't understand it.
The more I look at it, the more I think the hero is a liar. To persuade and to be persuaded is understood as deceived and deceived.
I feel that there are metaphors in the movie that I understand very well, but I don't understand
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Extended Reading
  • Gaetano 2022-03-26 09:01:10

    Seriously slept. A conversational tutorial in the form of a film, anti-narrative, anti-drama, and anti-performance, using sophisticated and complicated language to describe stupid and meaningless things, teaching you how to say hello, goodbye and let's eat chicken in a movie way .

  • Halle 2022-03-28 09:01:08

    expanded photography

Last Year at Marienbad quotes

  • [X wanders through the hotel's corridors cataloging items he sees]

    X: Empty salons. Corridors. Salons. Doors. Doors. Salons. Empty chairs, deep armchairs, thick carpets. Heavy hangings. Stairs, steps. Steps, one after the other. Glass objects, objects still intact, empty glasses. A glass that falls, three, two, one, zero. Glass partition, letters.

  • X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.

    A: I have never stayed so long anywhere.

    X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?

    A: You're raving! I'm tired, leave me alone!