Tough journey
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I love the vast Australia in the movie - the towering, lonely, jerky weathered rock stands on the other side of the clouds and sandstone, the salt-alkali-smelling stream washes the barren and empty Gobi, the horses galloping away And cowboy smiles, chanting with a mysterious texture, death, night and bonfire relics seem to hang from the top of the bread tree, cattle rush wildly and raise strange dust, war and human figures are in the end. It is reflected in the unfathomable black water of the bottom bay of the pier.
I have almost finished writing the wonderful scene presented to me by the pictures of this film. The English name of the film is Australia, but the Chinese translation can better express the content of the film - the chaotic world, focusing on the words of love, there are many shirks, the night is dark The foxtrot dance under the slump, the kiss carefully in the firelight, and then life, disputes, noise, looking back, and reunion. Completely like the sophistication that we all inexplicably experienced. However, it is difficult to look at this movie from the perspective of pure love, because it is a prelude that tries to reflect the turbulent history through the emotions of the characters. A magnificent journey is enough. Sarah and Drover's love is born in the background of different characters, so the solution to the difference can only be a special environment, so the tension of the external environment promotes such a rare and easy-going tacit understanding, albeit with an illusory or passionate The ingredients, I have to say, their love looks enviable in the scenery where the light is extremely dreamy, but that's all, because the rhymes are all the quiet Xia Phi of the mirage for good reasons. Even if Sarah is willing to give up her British and noble origins, Drover is willing to hide the emotional cowardice and anxiety under the heavy social repression, and they even accept each other's embarrassment and clothes that they cannot have children in common. But the illusion of the mirage lies in the real beauty. Because of cowardice, Dover could not bear the burden and loneliness under the responsibility of adopting a mixed-race child, and chose to travel far - the self-righteous richness of love far underestimated the sharpness of life. So what the film wants to talk about through wars, apartheid, complex and contradictory histories is about choices and transitions growing up when so-called new external factors emerge. It was like Drover came back reclining on a blue and white boat in the last light and mist. Although the movie is procrastinated and even cumbersome, the handling of events does not leave much room for details, and the bizarre plots and elements are slightly jerky put together, but the inclusiveness of growth it wants to express makes me feel for this The movie has four stars, and when we can talk about the inclusiveness of growing up, I think maybe change is more in line with its meaning.
The biggest change came when the silhouette of Sarah with her delicate white arc-top umbrella floated on a pier surrounded by steam. The director used a long-distance rush to tell the birth of love, although it was a little hasty and pretentious. Drover was still a wild cowboy when he fell in love. He could no matter how huge impact such love would have on social class and ethics, but he would give up everything for freedom and even resolutely let go of love, because freedom The value of the cowboy's dignity is included. Sarah's delicacy and maturity are the only things that have not changed in the society described in the film, but Sarah's changes reflect the sublimation of a woman's motherhood. The context of this process in the film is extremely weak, but the greatness and demand of motherhood are unexpected. To give love contradictions, so Drover runs away. During the six-month separation, Drover opened up his memories in the darkness of the night, and only when tenderness was regarded as a nostalgia, did he look back and start to be thrilling. The cowboy sat under the bread tree where he used to dance the foxtrot and began to face himself. When the impulses and fantasies of love and dislike began to take off their bright colors, he began to understand his long-lost love. It is precisely because the cowboy is in the most essential place that he escapes from a young man, that he rejects all unwillingness and harm because of his freedom, but because of this, he has too much deep emotional stubbornness, so he is willing to abandon himself because of timidity. The hidden story, will be afraid of losing something, will escape Sarah without looking back, because the victory about freedom has always been determined. When the society that prompted these two people from different worlds to come together changed again, and the flames of war burned the boy on horseback, he was finally willing to become a man and believed deeply in the things he loved, and let go of all the related things. With the arrogance of freedom, Drover can finally fit the meaning given to men in a broad sense, such as responsibility, such as survival, such as love, such as family. All the teenagers in fresh clothes and angry horses will embark on such a specious return journey, but some of them, such as Drover, may still be entangled in worldly values. It's hard for me to discuss the mundane and personal arguability of this, but in the end most of us will come down to it all in the name of love and responsibility, and the deception of ourselves at first is taken for granted in the disturbing bits of life and commonplace Unsurprisingly, it is because the ordinaryness formed by this departure from the vision of the youth has finally created the stability and glory that mankind has been proud of in the thousands of years of history. However, in the end, the people who broke with these ordinary people, we all call them alien or alien-like heroes.
In the end, the war gave everything an excuse to start anew, so we saw the morning light on the farm and the horizon again, in the dry and distant wheat field once again about another child's long distance, alternating the road and light of the unknown and the hope .
The film stopped its telling at nearly 3 hours. Fortunately, I didn't struggle too deeply with freedom and change due to the ins and outs outside the visual and sensory programs. In fact, I just remembered the usual things that I would also fall into.
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