The film is like a promotional film for Amanda Seyfried, who was kidnapped once and talked about all day long. In fact, there are a lot of boring places in the film. I don't know what the policeman who claims to want to help Jill wants to do, and in the end, I don't know whether he is a bad person or a good person or if he really wants to help the heroine. Anyway, I don't think it is the latter. In the end, the murderer is too useless. The whole movie is obviously top-heavy. The first half of the film has already been paved up to the end of the film, and it is quite mysterious. At least it should be a professional and mature killer. She was defeated by a woman who had been trained in boxing or something for a few days, and was burned to death by gasoline. The ending of the film was too disappointing, and the footing was too low. At the end, the heroine has clearly settled her grievance with the murderer in private and doesn't seem to want the police to know what happened, so why send the photo and map of the victim girl to the police. At the same time, the whole film does not give people a very strong sense of reality. The heroine runs away in the city with blonde hair and has such dense and prominent facial features. People with a little common sense know that running away should be low-key; the ending Is it really possible to set such a big fire in the forest park? This kind of thing cannot be over. The soy sauce of the police in the film is really unbearable to look at. Even Amanda Seyfried, who is obviously a spectator, appears very brainless in the film. Another point is that most of the tones in the film are similar to the twilight series, and the tension created by the low and dark is worthy of recognition.
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