According to psychology, any so-called "addiction" behavior is particularly related to one's own emotional state. The more sentimental, the easier it is to rely on external forces to escape depression. Conan Doyle's Sherlock Holmes would take cocaine to anesthetize himself without the stimulation of a crime; when a stimulating case was staged, he could avoid drugs at all. Of course, fiction doesn't help us understand how to make a certain behavior "addictive," but in turn, it illustrates the basic requirement of "addiction"—a need that no situation can replace.
Leila, played by Lauren Lee Smith in "Lie With Me" (2005), is also a sex-only girl who opens with her masturbating while watching an adult film, then dresses up for a night scene When looking for a sex partner for oral sex, I met the hero David. Stacy Martin, who played the young girl Joe in "Sex Addicted", was also young and beautiful. He broke into the train with his friend B to compete to find more objects to have sex with. In the end, Joe succeeded in becoming a middle-aged first-class car. Gentlemen win chocolate by blowjob. The two heroines also narrate that they have been longing for sexual satisfaction since childhood, and both stories share one thing in common - the secret of sex comes from love.
In Lars von Trier's work, lengthy, imaginative and poetic dialogue is often the focus, and he relentlessly points to the hypocrisy of the world. The previous works, AntiChrist and Dogvill, are important works with a slanted theme and a serious attitude. "Sex, Addiction," discusses a wider range of topics. At the beginning of the story, Charlotte Gainsbourg plays 50-year-old Joe, who was attacked by her ex-husband Jerome and was attacked with blood. Fortunately, scholar Seligman took him home to take care of him. And listen carefully to her sexual experience, showing how to find her own understanding of sexual addiction from philosophy, religion, and mathematics. In the above, the young girl Joe met Jerome, the object of her virginity, for the first time in her sexual experience. For the first time, she understood the love of love and jealousy. The director's plot for Joe has successfully helped the audience into the narrow interpretation - witnessing Joe destroying other people's families, being powerless to his dying father, and finally reuniting with Jerome and discovering that he is indifferent to sex - if there is no lower part, the audience may be Very satisfied with this ending.
Addicts usually rely on a certain behavior to avoid anxiety - and "Sleeping With Me" Leila lacks self-awareness and self-confidence - Lauren Lee Smith's performance was eye-catching at the time, from Those wandering eyes, the little finger-biting gestures, the dull language and the small handbag that never leaves her hand, show all Leila's unease - find her own charm in sexy costumes, sultry dance moves and daring sex . When Leila fell in love with David, who fell in love at first sight, but still ran to the dance floor to repeat the lewd dance, when her heart sounded: "I can only go to bed and have sex, I don't understand other things."
And "sex addiction. "The basis of sex addiction shown by Joe in the upper part starts from appreciation. Although the story does not explain whether the ambiguous relationship between Joe and his father is the root, but from the vivid dialogue in her mouth, it can only be said that she knows how to enjoy sex. Happy and willing to pay the price for it. Many audiences may prefer the upper part. Although there are consecutive sex scenes and lack of coherence, the story is richer than the director's other works. In fact, compared to the "Nine Songs", where the actors insert their real guns in front of the camera, "Sex·Addiction" uses adult film actors as stand-ins and computer graphics to explain the sexual intercourse clips, and those oral sex insertion scenes change. It has to be planned only for the plot - Joe lacked understanding of love in the first half of his life, and when Mrs. H complained angrily at her home, she couldn't show any sympathy, and the lower part made a severe criticism of Joe. The director's use of K as the abuser - believed to be the incarnation of the director himself - gives Joe the first glimpse of K's understanding of sexuality from the abused body. From the rigorous and orderly sadistic ritual, she understands K's obsession with love, and she has never achieved such a relationship with her sexual partner. Later, Joe even took on the role of the abuser, helping men who were lost to achieve real orgasms.
Watching Lars von Trier's films often makes me feel like I'm never going to be perfect, and I need to be brutally flogged all the time. And he always showed the pain of worrying about the country and the people, loving others as himself and being willing to be misunderstood by future generations. If Seligman, played by actor Stellan Skarsgard from Sweden, is used to represent the audience, what the director wants to show is not sympathy for Joe, but curiosity about sex, and an innocuous attitude to seek joy with Joe, but he will kill him. "We", with a solemn warning.
If the secret of sex comes from love, then director Clement Virgo combines the intercourse in "Sleep With Me", the casual purity of Lauren Lee Smith and the handsome thoughtfulness of Eric Balfour, to create a scene that doesn't require extra dialogue but is contained in the corners of his mouth. Showing sincere love in those words. There are not many works, but Clement Virgo, who is often a frequent visitor to the Cannes Film Festival, does not mention a little bit about the relationship between the two in a well-known love drama, so that you and I can sincerely feel the love affairs of each other in the bed scenes, and insert them directly into yours. The body reveals pure love.
I may never be able to appreciate the care that K gave in beating Joe in more than 4 hours. I can only go back to that impulsive and real love scene in 2005 and find that rare lingering love on the screen. , waiting for the myth to reappear.
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