So far, I have seen three Dolan films, "I Killed My Mom", "Lawrence of Two Faces" and "Fantasy Love". Summarizing myself so I don't forget, because I won't watch it a second time. 1. My so-called "paragraph paragraph" structure appeared at intervals, and some small objects in "I Killed My Mother" were self-confessed by Yu Beier in the self-portrait. There are romantic and absurd fragments in "Lawrence of Two Sides", such as clothes and scarves falling from the sky. Below are the couples who meet each other again, the butterfly flying out of the male protagonist's mouth, and the female protagonist encountering a waterfall on the sofa... "Fantasy" The unit of "Love" male and female protagonists sued privately, and the private prosecution of the little friends. 2,. Slow motion In fact, Dolan's slow motion is also part of the "parallel paragraph" I mentioned earlier. Sometimes there is music, sometimes no music. 3. The colors are bright and bright, but it has the texture of oil painting. I feel that the director is more sensitive to colors and pays great attention to details. There are also some special shots with different colors. For example, Yu Bei's confession is black, and the male protagonist of "Fantasy" has sex with the man with a blue filter. The director likes the autumn forest emotion very much, which is a little bit of rendering in these factors. I was thinking that the director made us feel it in a quiet way. Every slow motion is a stage for the audience to think about, constantly trying to figure out a situation of the character at the moment. I gave "Fantasy Love" the lowest score among the three. Because I found that I was a little tired of aesthetics. First of all, Dolan is not as delicate and handsome as when I watched "I Killed My Mom", and it is not as deep as the topics discussed in "Lawrence of Two Faces" (maybe I saw It's not profound, I'm not interested in watching it one night, it distracts the emotions) Of course, the character's explosion in the movie feels very realistic, just like a roar, a very ordinary camera is facing the protagonist.
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