2. The whole animation is full of ubiquitous surprise details, and some of them feel so delicate and outrageous. For example, so far, according to my own preferences, I can be the number one OP, the semi-episode transitions that are different and innovative for each episode (!), and the English name that is suspected to be hand-painted and super designed.
3. Traveler's stories are always good stories. Maybe I'm alone but...it does remind me of the feeling of Chino's journey.
4. But overall, the existence of the main line is too subtle! It's almost as subtle as the smell of sunflowers... Although it is actually very smelly, this kind of feeling is like touching ink and ink on rice paper - the strokes are light and far apart, but after fainting, it can be Wonderfully gradually outlines a vague overall outline. .
This can probably be said to be a very pleasant surprise-surprise yourself to find a thin line that is hidden between episodes, stretched in the air, will not be placed, or see a new drop of ink that slightly changes the whole painting. towards.
It's a shame I don't know how to draw...
5. The pacing of the last three episodes was amazing. When I watched Chaos Warriors at the time, I hadn't seen Cowboy Star, and I was completely amazed by the sudden acceleration. The slow and even restrained layout of the first twenty-three episodes finally came to a turbulent ending, just like picking up a pen to fill in all the blanks of unknown meaning on the previous paper in an instant. Enjoyable.
6. In fact, the style of the whole film is like the initial question that Wuhuan and Ren rarely matched with tacit understanding: "By the way, I wanted to ask you before..." "...Who is the samurai with the smell of sunflower." "...also What is a sunflower?"
(Well, I wrote a movie review a long time ago, and now I see it really = =... After watching CB, I must admit that the latter is better in every way.)
View more about Samurai Champloo reviews
