There was a domestic cartoon "Grey Bean" in my childhood, and I was an iron fan by the current standard. It is about the protagonist Huidou who is kind, but because he has the shadow of a fairy, he is not accepted by others, and his kindness is always misunderstood. Grey Bean's most urgent wish is to find a way to eliminate this ugly shadow, in order to be accepted by the world. Hard work pays off, and Gray Bean finally waited for a chance to get that shadow away from him and make him become normal. Gray Bean saw the shadow in his body in front of the mirror. It was ugly. Knowing that he was going to be annihilated, he cried in fear. The protagonist, Gray Bean, gave up this opportunity and decided to let the shadow continue to occupy his body. I can't understand it, I haven't watched this anime since then. Later, when I thought of this clip many times, I wished I could help Huidou to put an end to this scourge. It keeps doing evil, isolating the good protagonist from the crowd, making him misunderstood, fearing, distorting his life and making him suffer. This shadow is the root of all evil and the reason for all unfair treatment. Cutting it off is a new life. At this time, Huidou let it go because of his soft heart. I think I didn't understand at the time that this shadow wasn't the root cause of everything, and that it wasn't necessarily an emotional impulse when Huidou let it go.
So when Stuart was dissecting his violent, restless heart to the author Alexander during the film, I instantly thought of Grey Bean. Stuart said that after experiencing all kinds of horrific injuries in his childhood, he finally had a force that followed his appeal, found him, made a home in his body, and became a means of self-protection in his teenage years - violence. He was addicted and sober, and now he found that this power had made a home in his heart, and the expulsion was fruitless. He said, "What can I do? It also wants to have a home." The cool and dazzling homeless man who soaked himself in alcohol and nicotine 24 hours a day showed everyone his spiritual state at this moment. Height and inner tolerance. Seeing this, I want to hug him, although I know that I will still walk around when I meet him on the street, although I also know that "he's like" Zeng Jin is like you and me. Stuart seems to be particularly good at empathy. He believes that women's sagging is naturally beautiful. This view is a shock to men and women who are crazy about hemispherical shape now (I just read a report not long ago to justify this phenomenon, saying that this is just the evolution of women's buttocks. Self-mimicking, normal so just). I think Stuart, too, often flips the tape on his own, fantasizing about the word everyone fantasizes about—if. What if I didn't go to this school, if I didn't do this job, if I married another woman. But where to start? School violence stems from lameness; hurt at home because of an older brother; there is a perverted principal in Care. Stuart rewinds to the beginning and finds that his life is only the result of the cause, not the answer to the question. He left the world that had brutally traumatized him, marginalized him, and still refused to treat him well.
After watching this film, I gave up my habitual thinking about the gray bean problem. After all, if the gray bean was really removed from the shadow, I would doubt whether he is really kind, and this cartoon is also because of the intention of this choice at this moment, Uniquely in my mind.
Tang Lao Wet took this film probably in response to his special experience in his youth. With a hostile temper, he wandered the streets and alleys in confusion. One day, he opened his eyes in the face of a homeless man with alcohol, and suddenly woke up. His Stuart is convincing.
Still can't help but say that there is a life difference between soup and BC's acting skills.
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