This may be the second feature film of Bone Club that I have seen, and slowly I began to feel the taste of animation produced by this company. In my opinion, the movie version is very similar to the TV version. The difference is that there are more action scenes, and it has a more "movie" feel. This is also a movie version derived from Japanese TV animation that I haven't experienced for a long time. The "feeling" of Japanese animation is often just throwing a few main characters to a new villain, and then each character does what they have done tens of thousands of times in the TV version to kill the villain. And this movie, from the startling opening that is comparable to Quentin's beginning, to the progress of the story and the successive performance of the action scenes, is really a very good movie.
In terms of plot, first of all, the main characters are reunited again, which is really emotional. You must know that at the end of the TV version, the protagonist's team basically fell apart. Maybe the two women still feel that they are just passengers, this feeling is very bad. The shaping of the villain is also good, but this kind of character with "loneliness" as the selling point also has big beauties posted, and this kind of plot still cannot escape the category of ACG. American elements perform well in the environment, but in terms of characters, there are still a bunch of people with foreign faces doing Japanese-like things, which is also a common problem in Japan's second dimension. The way of poisoning seems to pay homage to the way the Joker used poison in the first "Batman", and there are also clown-like characters in the TV version. Zhou Gongmeng Butterfly, Chinese elements are borrowed and admired by such a wonderful interpretation. Nanotechnology, ah, since when did this subject leave the entertainment industry's attention?
Let's talk about the TV version here by the way. When I watch it, it feels very similar to "Gintama" and "Firefly". Of course, this mode is not uncommon in Japanese comics, and poverty is their common attribute. In terms of music, it's better to say that it fits the plot rather than exciting, because few songs can leave a deep impression on me after they are taken out alone. The ones that impress me the most are the TV and movie versions of ops. It is not easy for me to memorize songs that are too soft, and songs with strong rhythm are easy for me to remember. I don't know if the music serves the plot or the plot serves the music, and if Quentin is used to score the music, will it change the feeling? If this animation is made into an American drama, it is estimated that its influence will be even greater.
That little girl is the most healing character, and the other characters are all bitter and grieving, making people uncomfortable. In other words, there are no cats in the two Bone Club works I watched, but dogs. It is indeed the Bone Club. After all, it is difficult to find Japanese animations without cats nowadays.
The protagonist is a former triad, the role of an elder is a former policeman, and a mature woman is a character similar to Fry in "Flying Out of the Future". It can be said that Fry and Faye are really two people who are shaped by two different cultures and have different goals across time and space. It's interesting to compare. Lin Yuan's performance of the goddess is very exciting. It seems that Ling Bo is only one of the peaks, and Lin Yuan seems to have played some extroverted characters in the early days.
The biggest feature of these adult characters is that they are all people who have been imprisoned in the past. Of course, in order to expand the plot, the past can be mentioned, but people who are easily trapped in the past often cannot be happy, and this theme seems to be expressed. The ending of the TV version is a little abrupt. The protagonist used his kung fu and arms to take down the underworld by himself. In addition, if the gun-wielding player loses in the duel between the sword-wielding player and the gun-wielding player, then he can only blame the gun-wielding player. sb.
I wonder if there are bounty hunters in the real world?
View more about Cowboy Bebop: The Movie reviews
