Amour: The People and Things We Dare not Face

Eliane 2022-07-17 21:01:29

After thinking about it for a long time, I couldn't think of a suitable title for this film review, and finally copied the name of the film.

The first reaction in my mind after watching the entire film was to think of "Doctor Death," starring Al Pacino. Birth, old age, sickness, and death are the most normal things in life. I have heard such a sentence: everyone is moving towards death after birth. So death is not scary; what is scary is the mentality of facing death.

Let’s go back and talk about the film first. Haneke’s films are almost serious in both white ribbon and piano classrooms. There is almost no soundtrack in the whole film, and the few soundtracks are still in the form of piano music. In addition, almost all the scenes in the whole film are completed in a small room, and the feeling of depression in the whole film is formed in this scene. In other words, this is a very "ugly" movie.
This is a movie with death as the axis and love as the force. In the film, Annie can't take care of herself after a stroke, and her life with George is also a desperate situation. The two are tired of dealing with all kinds of setbacks caused by illness, and the ordeal of death is shrouded in death. in the hearts of both of them. Anne's love for George allowed him to persevere in the face of death, and Anne's love for George allowed her to endure these hardships for George. It is love that drives the determination of the two to fight against death. The film spends more than an hour describing how George takes care of Annie, who is unable to move; how Annie resists pain; and how the sorrow of reality adds to Annie's depression.

At this time, the theme behind love also emerged: in the face of illness, should humanitarianism be used to help victims end their suffering?
Let's start with Barry Levinson's "Doctor Death". Who cares what people think, it's what my patient feels. This is a sentence said by the protagonist Jack in the film. The sufferings endured should be done to the best of one's ability to satisfy the sufferer's longing for death.
In contrast, Amour does not have such a big picture. What motivated George to kill Anna was his love for Anna, which made him unable to bear his wife's inhumanity due to her illness. I remember that when the dying patients in the death doctor brought their families to find JACK, these people were a pair of Anna and George.

In a western society where euthanasia is gradually maturing, the law has gradually accepted this bold thing. Whether it is in line with humanism is the second, and more important is how people understand the suffering of the suffering and the sadness of the living.

View more about Amour reviews

Extended Reading
  • Stan 2022-03-29 09:01:03

    I didn't cry anyway. This kind of movie seems pure and close to the essence of the movie; but the impact is extremely bad, and it can only be watched by directors and actors with decades of skill. That's not how the movie was shot, and Haneke has only one.

  • Brice 2022-03-31 09:01:03

    Haneke is an uncompromising "King of Destruction", and he is good at expressing destruction in a quiet and boring life, even if it is such a beautiful old age story.

Amour quotes

  • Anne: What would you say if no one came to your funeral?

    Georges: Nothing, presumably.

  • Georges: [telling a childhood memory] ... some banal romance or other about a nobleman and a lower middle-class girl who couldn't have each other and who then, out of sheer magnanimity, decide to renounce their love - in fact, I don't quite remember it any more. In any case, afterwards I was thoroughly distraught, and it took me a bit of time to calm down. In the courtyard of the house where grandma lived, there was a young guy at the window who asked me where I'd been. He was a couple of years older than me, a braggart who really impressed me. "To the movies," I said, because I was proud that my grandma had given me the money to go all alone to the cinema. "What did you see?" I started to tell him the story of the movie, and as I did, all the emotion came back. I didn't want to cry in front of the boy, but it was impossible; there I was, crying out loud in the courtyard, and I told him the whole drama to the bitter end.

    Anne: So? How did he react?

    Georges: No idea. He probably found it amusing. I don't remember. I don't remember the film either. But I remember the feeling. That I was ashamed of crying, but that telling him the story made all my feelings and tears come back, almost more powerfully than when I was actually watching the film, and that I just couldn't stop.