The spiritual world and the material world

Tamara 2022-03-28 09:01:14

Using the combination of live action and animation, the transition from exploring the future of movies to the choice between the real and virtual worlds, the dialogue between the characters is thought-provoking, and it is indeed very similar to the director's famous work "Waltz with Bashir". The mind-opening setting is full of helplessness and despair, as well as the story told by the agent when the heroine scanned it. When Dylan gave the heroine eraser capsule, he likened it to a Nazi soldier's cyanide capsule. . . Impressed by the director's talent

Ernestina 2022-04-21 09:03:52

At the beginning, we saw an old face from a close-up perspective. It was almost presented. The sound came from outside the painting, which was an extension of the film. It allowed us to see the helpless position of losing its dominant power. Another shot, when Robin came into the studio, before pushing back on track, we saw another similar shot where the producer made a lot of mockery about Robin's career, he showed an absolute dominance, as A set of suspended fore/reverse hits. The camera that scans and captures replaces the spotlight, in a similar circular track, looking down close-up, a shot that means "curtain call", like heyday in her career. People who have lost their subjectivity are full of their own gods, and becoming the other means being a lonely god, gaining worship and self-disappearance. Abrahama is a desert in the geographical sense. Through the rear-view mirror of the car, we see the hallucinatory animation image, which is also the real meaning of the "animation control zone". Drugs provide us with a filter to view the world, and consumerism is in regulation. teach us what to fantasize about.