Of course, this film has to add magical elements, and it is not so good for comparison, but I personally think that unless it is pure myth or magic The story, otherwise it is easy to be nondescript.
The Thirteen Assassins also belong to the story of the revenge of the samurai, but the plot, structure and other arrangements are very good, and it feels very real. This is the inevitable result of a successful plot and characterization.
Although the final samurai is a bit far-fetched to force a foreigner into the conflict between the government and the samurai, it is still a successful film. The samurai spirit is very good. I'm not stupid or impulsive, I'm just obsessed with what I should do.
As for this film, I have to stuff monsters (the beasts who started to chase and kill), lycanthropes (the witch beside the villain boss) in a good revenge plot. , alien (the boss of Tengu Forest), amoeba (poisoned spider), I really don't understand what the screenwriter is thinking, maybe it is a good idea to combine magic and reality, but I can only say that it is very good There are some parts of the failure
that make me feel too far-fetched. The first time I attacked the boss of the villain, the villain used time to confuse the other party, set up excellent traps, plus fire attacks, surprises, the protagonists stepped into the traps like idiots, but so Exquisite tactics, the result is only a few small minions died, one small boss is fine, and the villain actually thinks that these people are all dead idiots? What brain can create such extreme duality?
Then came the second attack. This time the feng shui took turns, and the villains turned into big idiots. The decent ones all turned into special forces like Little Red Riding Hood in the Delta. They killed cleanly and neatly. The bosses were all beheaded and unscathed. Hey, it's also a trap. Why is there such a big gap between the front and the back? Is it because the legendary evil is invincible?
Nearly invincible giant warriors were blown to death casually, lycanthropes were instantly killed by alien lightsabers, gunpowder in the feudal period was comparable to C4 explosives, and the power of broken oil lamps was comparable to solid incendiary bombs. The director, do you really think the audience is an idiot?
Maybe this film will attract some foreigners who love oriental culture, but for me personally, it is not as attractive as the fairy tales I read when I was a child. I only have 2 words to evaluate this film: lame
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