That young man always liked to attend other people's funerals, dressed in black, and raised his eyebrows, just because he missed his parents' funeral.
The boy talked to a soul he imagined, dragged his body and searched stubbornly.
That young man used to be stubborn, confused, and paranoid.
That boy, yes, Ino.
In the face of death, the young man was contemptuous and rebellious at first, smashed the graves of his parents with an axe in grief and anger, cried loudly, and berated why he had left him alone, but at the funeral of the last girl, he turned into a smile, quietly remembering, thanking him .
The girl was calm and open-minded, strong and brave, with the corners of her mouth slightly tilted from time to time. She did not want to die but was not afraid of death. She loved Darwin, life and water birds, and wanted to put cakes, ice cream, candies and snacks at her funeral.
She always mentions songbirds, which are distressing but moving creatures.
She said, "There's a songbird, every day when the sun goes down, he thinks he's dead. So when he wakes up in the morning, he's surprised he's alive, and he sings a beautiful melody. I guess he's glad he's not dead. Right."
She was Anna.
I have been entangled in the question of who redeemed whom, whether Eno redeemed Andy, or Andy redeemed Eno. Nerman once described love in this way, you and I are both redeemed by love. So the conclusion was that love redeemed love, Eno redeemed Andy, and Andy also redeemed Eno. It's like two people cuddling each other in the cold night, warming each other.
Death is always mentioned, and it is no wonder that people die all the time in this world, and the terminal of everyone is death. Whether it is a philosopher, a writer or an artist, death is always "talking about". One person said that when he first saw the introduction of the film, he was worried about whether it was another kind of intensive tear gas. Fortunately, it’s not like that, it’s just a light description, without too much hysteria, and I’m going to stop talking. The picture is simple and simple, without exaggeration and contrived. It's like soaking 35mm film in honey."
No one knows what the world will be like after death. Gu Nian comes and goes, goes around, and in the end, the moment is what matters. Reminds me of a sentence in "The Graceful Hedgehog", what matters is not death, but what we do when we die.
There are four things in life, when they come by chance, and when they go, they are inevitable. Just like Anna, she is surprised by being alive every day. She doesn't want to die, but she is not afraid of death. She does what she wants to do. Death itself is not important.
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