so clever

Amber 2022-04-17 09:01:13

The rhythm control of this film is like the rotation of the scenery seen by the old professor through the car window in a slow driving car. In terms of textual meaning, audiences who read some serious novels may have a better understanding of the careful and allegorical operation of every detail in it.

The use of voice-over is not an accidental collection. The first effect is of course to "restore" the sense of reality. In addition, it has more dramatic and symbolic value. For example, it is conceivable that for the old professor, the lonely apartment is a closed world, and the same is true in the car ------------ It is related to this imagination: 1. In the end, the window glass of the home is covered with Broken, the old dream of love shattered. 2. In the car, he asked the girl, "Are you still sitting in the back?" 3. The boy entered the car on his own initiative and was described by the old professor as his grandson. 4. The old professor was constantly interrupted by phone calls—all related to translation (communication). Even when the old professor received a call from a girl for help, the information was inserted after an application call for revising and checking translation problems was unexpectedly interrupted. , which makes the front call a hint of a call from the girl behind (the old professor had previously misled the boy in the car, causing the subsequent conflict, which was also his mistake). 6. The old professor went to pick up the girl who was injured by her boyfriend. He saw the girl, but the car could not stop on the street; at the beginning of the film, the girl passed the sculpture in the square where her grandmother was standing and waiting, and asked the driver to circle around without getting out of the car to recognize each other-- --Commonly reveals the unique meaning of space-----a space for people to communicate with each other.

The picture of the female neighbor next door pouring out her thoughts to the girl, such as the little puppet show in the theater, one window has one face, causing the alienation effect of the exchange of truth and falsehood. The woman was obsessed with a certain impression of the past, and so was the professor's feelings for girls.

The old acquaintance that the old professor met at the car repair shop told him that although he left the police academy, he had always been interested in studying violence issues. The conversation between the two ended here, or the professor did not want to talk about this topic———— And then according to the logical reasoning of the plot, after the professor and the girl drove away, there must be a dialogue between the boy and this old acquaintance, which revealed the truth of the relationship between the professor and the girl. At the end of the play, the boy tried to invade the professor's house by violent means.

Abbas's way of searching for meaning is in harmony with his poetry. There is no need to look for it, but to reveal that the life under the eyes of plain boiled water is the secret of all things, or, in other words, "like "This word (like Mu Aihe) is the root of the confusion of the human spirit.

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Extended Reading
  • Gaston 2022-04-23 07:06:22

    There aren't many stories, it's all about the state of the characters, five phone messages and the tearful eyes that circle the square one more time. The tiniest details are magnificent. All the elaborate illusions are as shattered as the last smashed window, and the truth is that we are all extremely vulnerable. But even so, Abbas is still gentle, narrating the warmth of this encounter

  • Pedro 2022-04-22 07:02:00

    The plot and the relationship between the characters are tense movies. The sound and picture of the two long scenes are intertwined and interesting, and the usual tools such as cars and window glass reflections are reproduced. Personally, I think the richness is not as good as "Reproduction as it is". Describing the ignorance and stupidity of girls is a bit too much. It is said to be a tribute to Ozu again. In a capitalized society, old people have the resources to enjoy their young bodies, young people have no resources and have to sell their bodies, and young working-class men have to be hysterical...

Like Someone in Love quotes

  • Noriaki: [subtitled version] What do they teach them in there? As if dusty, old, foreign books will open their eyes.

  • Noriaki: [subtitled version] If we're married, she has to answer me.

    Takashi: Ideally, yes. That's why I'm saying you lack experience.